Showing posts with label BMI. Show all posts
Showing posts with label BMI. Show all posts

Wednesday, September 16, 2026

AmericanaFest Kicks Off with BMI Rooftop Party

 “Americana Music is about all sorts of different music. It is very free and open: a world where people just like authentic music.” — John Oates (AmericanaFest has kicked off in Nashville, and I couldn’t be happier and more excited. This is the music event of the year that draws musicians and music lovers from around the world. The BMI Rooftop kickoff was a prime example, with food, drinks and live music overlooking downtown Nashville. There were no strangers there. Visitors were friendly and eager to introduce themselves while eating BBQ and sipping on their favorite mixed drinks. I met a lady with purple hair from Iowa and a couple from Florida, who decided to stop off in Nashville before heading to Montana on vacation. The music was outstanding with performances by Meels, Flying Mojito Bros, and Hayes Carll. Each year, my friend and staff writer Wil Comstock and I hit the town to cover the festival for my online blog, Music City Arts Update. If you haven’t been to the festival, I would strongly encourage you to take in a show or two this week. Once you do, expect to be hooked. I am attending while juggling my busy teaching at a local college. The music performed by singers, songwriters and musicians has deep roots in genres ranging from blues and jazz to folk, country and rock. You always hear a refreshing mix of the unexpected. Here are a few photos from the BMI event. More coverage to come!) #ChuckWhiting #ChucksDiary #AmericanaFest #RooftopOnTheRow #MusicCityArts 9-16-26 

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Wednesday, September 18, 2024

AmericanaFest Kicks Off On Music Row

Harvest Moon, A Lunar Eclipse, And Two Bright Stars.  

Tuesday Evening Shows.

By MCAU Correspondent Wil Comstock

After fighting traffic and a little trouble with the pass pickup, we arrived at BMI Rooftop Kick Off Party. We barely had enough time to snatch the last of the BBQ chicken and grab a drink before headliner Wyatt Flores began his set. The bright star of the evening.




The Oklahoma native kicked off with “Orange Bottles (WhatAm I Chasing, Who Have I Become).” A smirk etched across my face as I realized this guy has the potential to be a big star! He just released his first full-length album, “Welcome to the Plaines to rave reviews.  Last Spring’s “Half Life” EP received considerable airplay.  There is a buzz surrounding Flores all over town.


“Running Out of Time,” “Holes,” and “I Believe in God” were crowd favorites.  Keep a lookout for rising star Wyatt Flores. 




Heading back to the car, we stopped to look at the harvest moon vailed in clouds.  The lunar eclipse would begin in a couple of hours.




Parking on Rolling Hill, we walked down to Martin’s BBQ to listen to the 65 Years of Fame Studio Party. A Brother’s Fountain was on stage introducing their fun rap song “Chipmunk.”  There wasn’t a still foot in the house as lead singer Justin Jacob kept time with his heal on the kick drum pedal while standing and singing lead vocals. They closed with the rowdy “Get Your Ass Outside.”






Next up, Birmingham’s Marrisa Luna.  I noticed audience members nodding to each other as she performed “Midnight.”  She has great stage presence, strong vocals, and she definitely has the look. I expect to hear good things about her in the future. She was followed by Holli Mosley from Mobile.  I was looking forward to her set, and she did not disappoint. Her vocals on Etta James’ “Tell Mama” melted my heart. She soulfully delivered “Do Right Woman, Do Right Man” and rocked the house with Zepplin’s “Rock and Roll.”  I only wish she’d performed some original material. Maybe I’ll write something for her! It was time to walk up the hill







I was psyched to hear the greatest blues artist of our time, Shemekia Copeland. Arriving at 3rd and Lindsley, we circled the room, looking for a seat. We couldn’t find one, so we stood up front. That’s where I wanted to be anyway!   I’m glad we arrived early because Shamika began half an hour before her scheduled time. Cheers rose as the second bright star of the evening appeared. She tore into “Dancing in the Graveyard” as she sautéed in her form-fitting black dress and matching 4-inch heels.  Oooh she looked mean until the end of the song when she smiled and graciously said, “Thank you.” Shemekia treated us to several songs from her new album “Blame IOnEve.” “Tough Mother,” Wine O’Clock,” “Cadilac Blue,” and the title track.  She introduced a song her blues legend father, Johnny Copeland, penned for her mother, “Made Me Love You Like I Do.” In a set full of blues songs, this was the busiest! 





Leaving the venue and looking up at the night sky, I realized I had just missed the earth’s shadow partially covering the moon.  But as a consolation, I just witnessed Shemekia Copeland eclipsing all of the blues singers of this generation.







 

Wednesday, September 13, 2017

AmericanaFest Begins with BMI Party and Unforgettable City Winery Shows


By Wil Comstock
Contributing Writer

         NASHVILLE -- At 2 p.m. on Tuesday (Sept. 12), I headed over to the Basement to pick up my press pass. It was raining steadily. We all stood quietly in line waiting under our umbrellas. One of the volunteers manning the line gave his umbrella to a girl in front of me. He then proceeded to stand in the rain with his hooded raincoat dripping onto his shoes. I was pretty impressed. I thought about the sacrifice so many people make to get this festival up and running. All of the volunteers, the extra hours the staff puts in, the endless meetings, the workers at the venues all over town, all lending grace with welcoming smiles on their faces. Thanks... you are the pillars that support this wonderful event! There would be no AmericanaFest without you.

http://www.AmericanaFest.org

         At 5:35 p.m., MCAU Editor Chuck Whiting picked me up at work, and we headed over to the BMI Kickoff Party. It was held in the downstairs foyer because of the rain. This event was sponsored by George Dickel Tennessee Whiskey. Upon entering, I grabbed a Tennessee Punch... yum and strong!  I then made my way over to the food line. Barbecue chicken breast for me with salad and jalapeno chips. The place was crowed, all bistro tables taken, so I made my way over to the stairs and sat down. Bravely, I lifted the chicken off of the hamburger roll and ate it with my fingers. My birthday is next week, and I’m trying to drop a few pounds! There are no calories in the alcohol, right? 
         About the time I finished my dinner, Hurray for the Riff Raff was taking the stage. They were fronted by Alynda Segarra, looking and sounding like a chic folk artist.  To quote The Wall Street Journal on Alynda’s singing: "She has a subtle, expressive voice that she wraps around songs that draw on the sounds and styles of the American South, and her lyrics often takes unconventional tack on traditional subjects." Riff Raff was followed by Phoebe Hunt and the Gatherers. I really liked this band. Phoebe and husband, Dominick Leslie (mandolin and vocals), spent time in India at an ashram studying music. This eastern influence is felt in the music and executed perfectly with Phoebe’s searing vocals accompanied by fiddle, mandolin, accordion, upright bass, and percussion. Last up was indie rock band Susto from Charleston, South Carolina. Their lively music had me dancing as we left BMI and headed over to City Winery. 
Hurray for the Riff Raff performs in the BMI lobby during AmericanaFest
         After parking on the street in one of the last free areas in Nashville, we headed to CW to see Colin Hay at the 8 p.m. show. This was the second time I saw Colin, and I was not disappointed. Colin fronted the Australian band Men at Work in the early 1980s. That’s his vocals on “Who Can it Be Now” and “Down Under." His familiar voice is like a good glass of sherry, stirring up warm memories. Colin is quite funny and entertaining, a great storyteller who does not shy away from the hard subjects like his mother’s death. He had the audience in the palm of his hand on “I Don’t Know Why,” “Come Tumbling Down,” and “Waiting for My Life to Begin.”     
         Joan Osborne filled the 9 p.m. slot singing songs from her critically acclaimed album "Songs of Bob Dylan." Osborne had a residency at New York’s Cafe Carlyle in March 2016 and March 2017. At those gigs she performed only Dylan material. She always loved the way Ella Fitzgerald performed the "Great American Songbook" and wanted to do something like that. She picked Dylan because of his lyrical timeliness to events going on today, saying that even though we may be polarized politically, music brings us together. She was accompanied by her two virtuoso producers, Keith Cotton on piano and keyboards and Jack Petruzzelli on guitars. Joan’s sultry voice wrapped around each song and made them her own. No imitation here, pure interpretation. I especially enjoyed “Highway 61 Revisited,” “Masters of War,” and the rearranged “Rainey Day Women #12 & 35.” I can’t wait to pick this album up!
To learn more about the AmericanaFest and see the full schedule of live shows, workshops, and parties, visit http://www.AmericanaFest.org.

Wednesday, September 21, 2016

Americana Fest Kicks off on Sept. 20 with Parties, Shows and Camaraderie

          NASHVILLE - The Americana Music Fest kicked off on Sept. 20 with parties and live music. Here are a few "casual" photos from some of the shows. Americana Fest draws musicians and fans from all over the world. To learn more about the festival, visit www.AmericanaMusic.org. (Photos by Chuck Whiting, MCAU editor)

The Suffers perform at the BMI Kickoff Party overlooking downtown Nashville.

The BMI Kickoff Party was sponsored by Dickel.
Downtown Nashville from the roof of BMI headquarters on Music Row.

Tim O'Brien performs at City Winery.

Paul Burch & WPA Ballclub perform at City Winery.

Colvin & Earle perform at City Winery.
Colvin & Earle perform at City Winery.