Showing posts with label Demetria Kalodimos. Show all posts
Showing posts with label Demetria Kalodimos. Show all posts

Monday, April 22, 2013

'Nashville Film Festival' Shines Spotlight on Filmmakers


NASHVILLE FILM MONTH:

'Nashville Film Festival' Report #1

April 18-21, 2013

By Chuck Whiting
MCAU Editor


            The "Nashville Film Festival" is in full swing with filmmakers and fans converging on the Green Hills Regal Cinema for the Red Carpet, movie screenings, educational panels, and parties. Following are highlights of activities occurring during the period April 18 to 21.

THE RED CARPET:

            The festival spotlights various producers, directors, actors, screenwriters and composers every day. Artists arrive at various times from the lower level of the venue's parking deck. Channel 4's Demetria Kalodimos received a good bit of media attention when she arrived Thursday night for the showing of her highly acclaimed documentary, "Indelible". Others to grace the Red Carpet (so far) include director Richard Speights Jr. ("America 101"), actress Claire Bowen ("Dead Man's Burden"), musician Big Kenny ("Coco D. Nut"), director David Wilson ("We Always Lie to Strangers"), actor Joshua Burge ("Ape"), and actors Paul Eenhoorn and Richmond Arquette ("This is Martin Bonner").

(Photo: Channel 4's Terry Bolger on the Red Carpet)

            The Tuesday (April 23) screening of "For the Love of Music: the Story of Nashville" is expected to draw a number of celebrities... possibly The Black Keys, Emmy Lou Harris, Peter Frampton, Bruce Springsteen, and Kris Kristofferson.

            The Red Carpet also was the location for an opening night silent auction. Attendees walked along tables to bid on items such as Southwest Airlines concert getaways, a celebrity guitar, autographed books, and meals at area restaurants.

EDUCATIONAL PANELS:

            Like the recent "Score-Com" and "Film-Com", The NaFF offers a wide range of film-related panels featuring some of the top professionals in the business.

            Sunday's "Master Class" presented by the Academy of Motion Pictures and Sciences (Joe Leydon, Tom Pollock, Sid Ganis, and Ellen Harrington) offered invaluable insights on the past, present and future (predicted) state of the film industry.

            All of the panelists agreed that digital technology (the ability to download movies anywhere at any time) has had a huge impact (positive and negative) on filmmaking. The blessing: New digital cameras make it possible for independents to shoot quality films. The curse: Some movie lovers are skipping the theaters for a living room or on-the-go experience.

            "We work hard to make movies look and sound great on the big screen," said Pollock, former chairman of Universal Pictures. "I hope we never lose that."

            Ganis agreed, citing the Oscar-winning "Life of Pi" as an example.

            "When I watched 'Life of Pi' on a big-screen TV, I thought it was pretty good," the former Academy president said. "But when I watched the 3D version in the theater with digital projection and sound, I considered it a cinematic miracle. There's just nothing like the movie theater experience."

            Pollock also spent a few minutes talking about the many challenges he faced after the release of Martin Scorsese's "Last Temptation of Christ". Trouble brewed after an evangelist led a rally protesting the showing of the film in a Mississippi theater.

            "This shows the impact that a film can have on society," he said. "Suddenly, we had 25,000 people protesting outside the gates of Universal. We received 4 million letters, mostly negative. Security guards even cornered a gun-toting intruder in the bathroom. My wife and kids had guards for years."

            Pollock was also at the studio when "Star Wars" was released. The film cost only $8 million to make.

            "I knew the world had changed when the spaceship crossed the entire screen on the opening shot," he added.

            As the director of exhibitions and special events, it's Harrington's job to break down cultural boundaries around the world. The academy faced a number of hurdles when representatives met with filmmakers in Iran.

            "The Iranian government condemned us," she said. "Some of the filmmakers there have been sent to jail. Despite this, they've found a way to get around government censorship. Our mission is to build a community of artists around the world. We all share the same passion."

            Other highlights from the discussion:

            * All of the panelists agreed that politics doesn't factor into the decisions Oscar voters make.

            * The Academy is a "group of individuals", not an "entity".

            * Agents are used for screenplay submissions for legal reasons.
            * The Academy's Don and Gee Nicholl Fellowships in Screenwriting is an international screenwriting competition established to identify and encourage talented new screenwriters. The deadline for submissions is May 1. Learn more: http://www.oscars.org/awards/nicholl/

            * The Academy Museum in Hollywood will feature 290,000 square feet of state-of-the-art galleries, exhibition spaces, movie theaters, and educational areas.
             
            * Most of the most successful filmmakers started as independents.

FILM SCREENINGS:

            A host of films, including many made in Tennessee and across the South, are featured in this year's NaFF. You can see the entire list at www.NashvilleFilmFestival.org .

            * "Indelible" -- Demetria Kalodimos' "Indelible: The Case Against Jeffrey Womack" uses interviews and footage from television news reports and interviews to show how "one man was blamed, charged, and ultimately disproved as the killer of Marcia Trimble. Kalodimos expertly merges old news footage with recent interviews to create a surreal, unforgettable experience.

(Photo: Channel 4's Demetria Kalodimos arrives on the Red Carpet)

            *  "Mud" -- A packed house was treated to the premiere of "Mud", a movie starring Matthew McConaughey (as Mud) and the now controversial Reese Witherspoon (as Mud's trouble-making girlfriend). The film is very moving, even prompting a few tears from the people seated around me. The storyline is fairly simple: Two boys find a man named Mud hiding out on a Mississippi River island in Arkansas. As the movie unfolds, the audience learns that Mud's unwavering love for the beautiful tramp Juniper has presented life-threatening problems, including a pursuing band of blood-thirsty bounty hunters. The cast is terrific, especially newcomers Tye Sheridan (Ellis) and Jacob Lofland (Neckbone). Young director Jeff Nichols (who greeted us using Skype) has done an outstanding job drawing out authentic "Southern drawls and mannerisms" in the snaky swamps of rural Arkansas. We'll see what happens after it premieres nationwide on April 26, but the hunch among the NaFF attendees is that "Mud" is sure to win an Oscar or two.

(Photo: Jeff Nichols greets moviegoers via Skype)

            * "This Is Martin Bonner" -- This movie had people talking (positively) after its showing on Sunday. Martin Bonner leaves his old life behind and moves to Reno, Nevada, where he finds work helping released prisoners transition to life on the outside. Meanwhile, Travis Holloway has just been released from prison. The two men form an unlikely friendship that offers them unspoken support and understanding. The verdict: What a surprisingly good independent film. Paul Eenhoorn and Richmond Arquette are simply terrific in their respective roles as Martin and Travis. Who knew that a low-budget film could elicit such emotion among moviegoers (during and afterwards)? The movie shows the "real" side of human experience, revealing how poor choices and suffering can lead to healing, understanding and friendship. How do we get back on the path of forgiveness? What do we do when we doubt our religious faith? How do we find the strength to rebuild a balanced life with purpose?

NETWORKING:

            Certain laminate holders, including NaFF members, sponsors and the press, have access to the VIP tent for the opening and closing parties, and just to hang out. Other laminate holders crowd the Red Carpet and surrounding areas to watch filmmakers arrive and network with the pros. It's a great way to compare notes, get to know your peers, and to encourage budding and professional filmmakers.

          All laminate holders can visit the Jenis stand for free ice cream. We try out a different flavor every time we wander the Red Carpet area.

Coming Up: Coverage for this week's "Nashville Film Festival", including Tuesday's panel "From Song to Sync: The Path to Placement". See all of our stories with photos at www.MusicCityArtsUpdate.com .

Other photos from NaFF:







Wednesday, April 10, 2013

Tennessee Films Announced for 'Nashville Film Festival'


NASHVILLE, Tenn. - The "Nashville Film Festival" has announced the film line-up for "Tennessee First" to be screened at the 44th annual festival, scheduled from April 18-25 at Regal Green Hills Cinema.
  
These films were all made by, about, and for the people of Tennessee. From quiet memories, to nights shattered by violence, these varied stories will take you on a wild ride from the Mississippi to the Appalachians.

“We are so excited about giving as many filmmakers as possible a shot at making the festival,” said NaFF Artistic Director Brian Owens. “We are deeply committed to supporting our Tennessee filmmakers.” 

Owens joined the Nashville Film Festival in 2008.  This year’s NaFF is his 6th Nashville Film Festival as Artistic Director. 

“Every year we have more local filmmakers submit to NaFF and we see that the overall quality is going up,” said Executive Director Ted Crockett. “We plan to expand our showcase for Tennessee films next year by expanding our "Tennessee First" opening night to a full day of screenings.”

The "Nashville Film Festival", like other major film festivals such as Sundance and Tribeca, is open to the public. Tickets may be purchased to any of 200 events, including films, panel discussions and parties. NaFF brings in filmmakers, celebrities, and industry insiders to mingle with people who enjoy film on the big screen.

The 'Tennessee First' feature films include:

"Indelible: The Case Against Jeffrey Womack" (Director: Demetria Kalodimos) -- The murder of Marcia Trimble has been called Nashville’s crime of the century. One man would be blamed, charged, and ultimately disproven as a killer, yet the stain of suspicion remained indelible.

"Music City USA" (Directors: Chris McDaniel) – A behind the scenes look at the artists, entertainers, and musicians that put the music in Music City. The people and places that make Nashville tick. A resilient city filled with creativity and heart.

"Nashville 2012" (Director: Jace Freeman and Sean Clark) – From underground wrestlers and street musicians to environmental activists and empowered immigrants, this accumulation of gritty narratives combine for an intimate portrait of a city.


"Sleepy LaBeef Rides Again" (Director: Dave Pomeroy) Explore the fascinating world of “The Human Jukebox” Sleepy LaBeef. No artist alive has a better grasp of American roots music.

"TWO: The Story of Roman & Nyro" (Director: Heather Winters) – The journey of songwriter Desmond Child and his lifelong partner Curtis Shaw, and how they met Angela Whittaker, the woman who would carry their twin sons, Roman and Nyro, into the world.

"Worm" (Director: Doug Mallette) – When the miracle product Fantasites, a parasite that returns our ability to dream, hits the market, the world quickly gets swept up in the phenomenon and Charles is no exception.

The Tennessee First short films include:

"Another Corner" (Director: Josh Harrell)
"The Children Next Door" (Director: Doug Block)
"The Melungeons" (Directors: Ian Cheney and Thomas Schienagel)
"Pigeon Kicker" (Director: Daniel Long)
"Tonight We Are Born As Stars" (Director: Brandon Langley)
"America 101" (Director: Richard Speight Jr.)
"Brother’s Keeper" (Director: Robert L. Poole)
"Cleaner Than Most" (Director: Jennifer Bonior)
"George" (Director: Josh Link)
"Mancipo" (Director: Samuel Ryan Willey)
"Pretty Monsters" (Directors: Ryan Parker and G.B. Shannon)
"Still Here" (Directors: Tyler Evans and David Lavender)
"Whether You Like It or Not" (Director: Wes Edwards)
"Wild Sands" (Directors: Warren Lewis, Allen William, and Scott Stewart)

           
Nashville Film Festival (NaFF), April 18 – 25, 2013, presented by Nissan, brings the world to Nashville in an eight-day celebration of film. Attended by filmmakers and industry insiders, and open to the public, NaFF screens more than 200 films from nearly 50 countries.  NaFF celebrates the diversity of the human voice and vision by curating program segments to include Latino, Black, GLBT, Jewish and Kurdish films. Founded in 1969 by Mary Jane Coleman, it is one of the oldest (44-years) film festivals in the U.S.  As an Academy Award Qualifying Event, NaFF draws filmmakers and celebrity guests to its red carpet at the Regal Green Hills Stadium 16. The Festival annually garners notice from the Associated Press, The New York Times, The Wall Street Journal online, MovieMaker Magazine, Film Festival Today, IndieWire, Variety, Billboard, New York and Script Magazine.

Learn more about the "Nashville Film Festival" at http://www.NashvilleFilmFestival.org.

###