Nashville Composers Association to Hold Two-Day Symposium for Film Composers from June 18-19

            NASHVILLE -- The Nashville Composers Association and Film-Com will present the two-day seminar “Deciphering the Movie Music Masters” with music supervisor, record producer and music educator Andy Hill from June 18-19 at Ocean Way on Music Row.

            The premise of this year's Score-Com (“Deciphering the Movie Music Masters”) is that film composers need to study the film music repertoire no less diligently than concert composers study the classical repertoire. What can composers learn from the past that they can carry into the future? And how can composers hit the bar that was set by our predecessors with today’s budgets and timelines? Andy will address through study of actual landmark scores and live demonstrations playing to picture.  As a music supervisor, Andy has worked with some of the greatest film composers. As an educator, he has conducted Skype chats many of them in locations all over the world, and he will do so at Score-Com (prepare to be surprised!). Established composers will speak to how they manage with lower budgets, tight deadlines, and current creative expectations.

            Seating is limited.
Tuition is $85 for non-members and $55 for NCA members. For more information or to register, visit http://nashvillecomposers.org/product/score-com-2016-ticket/

            The agenda and topics that will be covered in the symposium include:

            * Is there a shared film music language, with its own vocabulary and syntax?

            * If so, how can a composer make use of it without being merely imitative?

            *How can contemporary media composers create distinctive music with radically reduced budgets?

            * The Nashville-Austin connection.

            * Can Nashville become “Media Music City”?

            Score-Com also will feature Skype chats with film composers Danny Elfman and Hanan Townshend.

            It is highly recommended (though not mandatory) to get Andy Hill's new book, "Scoring the Screen: The Secret Language of Film Music", as he will be frequently referencing it.  Special pricing for the book will be made available to Score-Com attendees.

Andy Hill

            All symposium attendees are invited to a Film-Com networking event on the evening of June 18 (details will be provided to all paid attendees).  Heavy hors d’oeuvres will be provided.  Feel free to bring your business cards, demos or any other promotional materials!

            All paid attendees will also receive all-access laminates to attend these Film-Com film and television business events:

            * Film-Com networking event.

            * Film-Com VIP Kick-Off Reception.

            * All biz panels.

            * The New Project Expo.

            * Annual Film/Television Industry Gala.

Photos: 'Score-Com' and 'Film-Com' Spotlight Composers and Filmmakers From Around The World

     The 2014 installments of "Score-Com" and "Film-Com" were a resounding success with filmmakers and composers converging on Nashville from around the world. Following are photos of award-winning composer Stephen Endelman's presentation on Music Row, the "Film-Com" mixer at Zeitgeist Gallery, and the "F-C" exhibits (with music) at LP Field. All photos by MCAU Editor Chuck Whiting. 

(Photos Copyright 2014 -- reprinted by permission only)

Composers, Songwriters, Record Labels and Publishers Invited to Submit Works for 'Film-Com'

            NASHVILLE - Tennessee composers, songwriters, record labels and publishers are invited to submit original works (tracks) for special VIP pitch opportunities before, during and after "Film-Com", a filmmakers conference that will occur in Nashville from June 13-22.

            According to music industry professional Leonard Wolf, "Film-Com" has been highly supportive of Tennessee music makers in many important ways, and the latest opportunity is a double-barreled one. Tennessee composers and others are invited to submit tracks for the VIP Mp3 player and also the "Film-Com" online Mp3 player. The players will be provided to filmmakers. Each track will be labeled with the submitter's  name and/or contact info. 

            Individuals can submit multiple works and those not easily pinned down works in several genres. While the organization can't guarantee that all tracks will be included on the VIP player, organizers want to include as many great pieces as possible. All quality tracks will be featured online at least until the next "Film-Com" in 2015.

            Submissions are $10 each (one song/instrumental); $7.50 each (two to five songs/instrumentals); and $5 each (10 songs/instrumentals).

            "Let's show the world the bountiful, diverse abilities of our state's music makers and help support this great annual event, which offers networking opportunities with all levels of media makers," said Wolf, who noted that the Mp3 presentations are a non-profit effort. 

            The deadline to be considered for the VIP Mp3 player is April 20 (Sunday). The web player aspect will be open for submissions on an ongoing basis. 

            For submission info, visit http://film-com.com/mp3player-submissions/.

            For information about "Film-Com", visit http://www.Film-Com.com.

'Film-Com' Helps Budding Filmmakers Land Opportunities

By Chuck Whiting

MCAU Editor

            During last week's opening party at the "Nashville Film Festival", an ecstatic couple greeted me with the words, "We received two offers!". They had spent the past few days (working day and night) to land financing and distribution for their independent film.

            Success stories like these are hard to come by. Filmmakers (like songwriters) spend countless hours (sometimes many years) networking at conferences, honing their craft, and knocking on countless doors. More than 150 of them packed the Country Music Hall of Fame's Ford Theater all day Wednesday (April 17) to learn from the top professionals in the field. Panels covered topics ranging from "How to Launch a Television Concept" (scripted or unscripted) and "Financing and Distribution of Documentaries" to "Women in Film & Television" and "Navigating the Studio System". Thanks to organizations like Film Nashville and events like "Film-Com", filmmakers' dreams are coming true (against the odds).

            During the late afternoon session "Navigating The Studio System", moderator Andy Van Roon showed us why he is one of the most knowledgeable (and hard working) film industry professionals in Nashville. He presented excellent questions at the right times and made a point to clarify some of the panelist's complicated (financial-speak) answers.

            The distinguished panelists (Allen Schwalb of Star Partners, John Hadity of Entertainment Partners, David Henry of East-West Bank, and Diego Martinez of Millennium) shared invaluable insights on how to finance a film -- a necessary ingredient for production, marketing and distribution. Following are highlights from their one-hour session.

            To land equity, mezzanine and gap loans and/or investors for your film, it's essential to do the following:

            * Get all of your ducks in a row. Develop a business plan that details all aspects of your project, including production costs and projected sales (both domestically and internationally). How much did similar films cost to market, and what kind of profit (if any) did they make?            

            * Try to involve an internationally known actor to add credibility (and foreign sales) for your project. (Think Magnolia Pictures and Nicole Kidman.)

            * Pre-sales can serve as collateral for your loan. Foreign box office revenues have increased dramatically. Research to find a dedicated, highly respected international sales agent to help land sales in foreign markets. Team up with someone who has a proven track record.

            * Keep after your sales agent (as the producer). Use the Internet to check results. Your film could easily be overlooked, especially if he or she has more than several clients.

            * Remember that all sales agents expect to be paid. Some of them will ask for a fairly large "chunk" (percentage) of the profit.

            * Should you be fortunate enough to land a distribution deal with a major studio, be sure to study the contract closely. The studios recoup certain expenses before you ever receive anything. Some even try to include marketing expenses such as congratulatory dinner parties. Play it safe by having a legal representative represent you in the negotiations.

            * Relationships are very important. Network to build a team of collaborators, mentors, sales agents, investors and distributors. Buy a film industry directory. Introduce yourself in person at industry-related offices in LA, New York and Nashville. Ask for casting advice to help build value for your film.

            * Can you beat the odds? More than 10,000 films were submitted for the "Sundance Film Festival" (for only 34 slots). More than 3,000 were submitted for the "Nashville Film Festival".

            * You need seed money to get started. Get to know your doctors, dentists and others for financial support. New digital technology makes it easier and cheaper to make an independent film.

* * *

Footnote: The "Women in Film & Television" panel offered insights on the challenges women sometimes face when trying to launch a project in the highly competitive, sometimes "male-dominated" industry. Here are a few tips from the panelists:

            * Women can overcome perceived disadvantages if they are business-like, have a tough skin, learn how to play "being female" (as a strength), and be aggressive. "Don't let them get ya!"

            * Female directors should pick their teams very carefully. "Have people who are willing to go into the trenches with you."

            * Remember that some countries are more "male-dominated". One example is Serbia, where female producers, directors and actors may face bigger challenges. When facing a challenge, "let your work speak for itself."

            * Try to keep your weekends free. Hire someone so you can "have a life."

Coming Up: Coverage for this month's "Nashville Film Festival", including the Red Carpet, Demetria Kalodimos, and the engrossing new film, "Mud". See our stories with photos at http://www.MusicCityArtsUpdate.com .

           

            

Music, TV and Film A Perfect Mix in Music City

By Dan Wunsch

MCAU Guest Writer

(This article was published in the March/April 2013 Issue of the Nashville Music Guide.)

     NASHVILLE, Tenn. -- Through the years, Nashville is becoming known as "Tinsel Town South" not only because of the LA transplants relocating here, but the city has earned the reputation of being a major film center through three annual major conferences and festivals: "Film-Com", the "Nashville Film Festival", and the "Nashville Screenwriters Conference".

(Dan Wunsch (right) greets New York Times reporter Phil Sweetland during the opening party for "Score-Com" and "Film-Com".)

     Each has filmmakers and film industry executives flocking to Music City from around the world, and the common thread that has made all three successful is the participation of Hollywood insiders, including directors, producers, film/TV executives, actors and screenwriters. Nashville songwriters, music publishers and record labels have a unique opportunity to place their songs and compositions into film and TV by networking at these events.

     "Film-Com" 2013 is scheduled from April 13-19 with sub-events scheduled throughout downtown Nashville. The primary mission of this film industry conference and market is to bring film, TV, investment and distribution companies together with filmmakers for the packaging, funding and distribution of new film and TV projects. The bread and butter of "Film-Com' is industry seminars, pitch sessions to industry executives, and a film market showcasing film and TV projects. Companies sending representatives this year include Dreamworks Animation, SyFy Channel, TLC, Valhalla Television, Millennium Film, I.M., and Global International Distribution to mention a few. 

     Several "Film-Com" events have been designed specifically with Nashville's music community in mind. The conference opens with a workshop/seminar for composers titled "Score-Com" on April 13 at Ocean Way Studios. Last year, the workshop/seminar was mentored by Richard Glasser, head of the music at Weinstein Co.

     The Film/TV Industry Bash is on April 17, and besides being a monstrous networking party, will also feature a panel with the movers and shakers behind the TV series "Nashville": script writer Callie Khouri, producer Loucas George, and creator Steve Buchanan. 

     The "Syncs & Drinks", the largest group of companies and professionals in Music City involved in placing songs in film and television projects, is hosting a networking event on April 18, which will be immensely useful for both filmmakers looking for song material and for songwriters looking to establish relationships with creators of film and television projects.

     The "New Project Expo" takes place at Titans Stadium on April 18, and is an exhibition of films and TV series with networking opportunities with producers and directors. This is an excellent opportunity to introduce yourself as a potential source of music for their currently-in-development or future film and TV projects. 

     For a complete list of events and participants visit http://www.nashvillecomposers.org and http://www.film-com.com.

     As the dust is settling on "Film-Com", the 44th annual "Nashville Film Festival" (a.k.a. NaFF) begins on April 18 and ends on April 25. As in past years, the festival will take place at the Regal Cinemas in Green Hills.  Included in the final slate of fictional and documentary films, selected from over 3,000 submissions, there are several documentary films with music themes from rock and roll and hip hop to boys’ choirs and classic country. Some of the artists portrayed in this year’s crop of films include the Sheepdogs (Canadian rockers); the St. Thomas Boys Choir; the Beatles through the eyes of their devoted secretary and friend, Freda Kelly; Jim Lauderdale; Oakland Hip Hoppers; artists influenced by the Muscle Shoals sound; Cuban rap group Los Aldeanos; artists from Bronson, Mo.; and others.

     Not to be missed is the Opening Night Selection Feature on April 18 of the Film "Mud", directed by Jeff Nichols and starring Matthew McConaughey and Reese Witherspoon. This screening is preceded by the red-carpet event, which always includes not only NaFF participating celebrities but also many surprise VIP’s. Bring your camera and find your spot with the paparazzi.  

     The Closing Night Selection on April 25, is the film "Unfinished Song", directed by Paul Andrew Williams and starring Terrence Stamp and Vanessa Redgrave. The story line is seniors join a local singing group led by a charming and youthful director who reignites his passion for adventure.

     For a complete list of events including not only films but panel discussions and special events, visit http://www.nashvillefilmfestival.org .

     Last but not least, the 15th Annual Nashville Screenwriters Conference is scheduled from May 31 to June 2, 2013. This year, it returns to the Union Station Hotel. The foundation of the conference is panel discussions and seminars with the top screenwriters from Hollywood and New York, and this year's invitees will not disappoint. To mention a few, Alec Berg (SEINFELD, CURB YOUR ENTHUSIASM, THE DICTATOR), Nancy Pimental (SOUTH PARK, THE SWEETEST THING, SHAMELESS), Manish Ravel (GIRLS, NEW GIRL, BAD TEACHER), Craig Mazin (IDENTITY THIEF, HANGOVER PART 2, SCARY MOVIE 4) and  Glenn Berger (KUNG FU PANDA, KING OF THE HILL). 

     The cornerstone event for Nashville’s music community is once again the "Music in Film and Television Panel" hosted by Anastasia Brown on June 1 at the Country Music Hall of Fame's Ford Theater. Major music supervisors will offer insider knowledge on how to place songs into films and television. The audience attendees will have the rare opportunity to submit one song to these panelists for their current projects. Actual scenes from projects in post-production will be shown on the big screen in the Ford Theater or script pages read, and each supervisor will describe the type of song required for the scene.

     Success stories from previous panels include placements in DREAM HOUSE, IN TIME, THE DARKEST HOUR, SANTA CLAUS 2 and  AUGUST RUSH to mention a few. 

     "Every label, publisher, manager, song writer and artist in town should attend this financially beneficial and inspiring panel," said Rod Essig, Creative Artist Agency executive. 

     For a complete list of events, participants and special events, visit http://www.nashscreen.com .

     In closing, in addition to ALL-INCLUSIVE tickets for each of the three major happenings, there are one-day or single-event tickets available, an attractive alternative for “starving artists.” The road to success has many paths. Consider these three major Nashville film conferences and festivals as one of them.

Comments to danwunschwriter@yahoo.com .

Film Nashville Newsletter - March 22, 2013

Greetings - Film, Television & Transmedia Folks -


A TWO-WEEK BLOCK OF INTERNATIONAL FILM, TELEVISION & MUSIC ACTIVITY 


*2013 NASHVILLE FILM FESTIVAL - APRIL 18-25 - ANNOUNCES COMPLETE LINE-UP


[*NOW CASTING: "THE REAL NASHVILLE"]


FILM-COM WEEK - APRIL 13-19:

*FILM/TELEVISION INDUSTRY GALA -- SCHERMERHORN SYMPHONY CENTER

*NEW PROJECT EXPO -- TITANS STADIUM

*FAITH IN FILM CONFERENCE -- FRIST CENTER FOR THE VISUAL ARTS
 
*FILM/TELEVISION BUSINESS SEMINARS -- COUNTRY MUSIC HALL OF FAME

*SCORE-COM BY NASHVILLE COMPOSERS ASSOCIATION -- OCEAN WAY STUDIOS

*SCRIPT-COM BY TENNESSEE SCREENWRITING ASSOCIATION -- WATKINS COLLEGE OF ART, DESIGN & FILM

*SONGS FOR FILM/TV HAPPY HOUR AT THE HARD ROCK 

*   *   *

2013 NASHVILLE FILM FESTIVAL ANNOUNCES COMPLETE LINE-UP

Awesome films at NaFF from April 18-25 at Regal Green Hills Cinema... 

The Nashville Film Festival (NaFF) today announced the full line-up of feature films in competition and special presentations for the 44th annual Festival, April 18-25. One of the oldest and largest film festivals in the U.S., NaFF will screen more than 200 films. This year submissions topped 3,004, breaking all festival records.

“I’m more excited about this year than ever,” said Artistic Director, Brian Owens. “We have a fantastic offering of films. In addition to our extensive shorts program, we’ll present eight special presentation films and 56 films
in competition. Our total cash awards will exceed $40,000. And, there is something for everyone in this year’s lineup.”

The Nashville Film Festival, named one of the top five in the U.S. by Brooks Institute, and an Academy Award Qualifier, has become one of the premier showcases for the best new work of American and international filmmakers. The festival screens films that represent the creative risk filmmakers take to tell powerful and important stories innovatively. The complete lineup of special presentation films and competition features follow:

SPECIAL PRESENTATION FILMS 
MUD directed by Jeff Nichols 
UNFINISHED SONG directed by Paul Andrew Williams 

DEAD MAN’S BURDEN directed by Jared Moshe 
KON-TIKI directed by Joachim Rønning, Espen Sandberg 

THE KINGS OF SUMMER directed by Jordan Vogt-Roberts SIGHTSEERS directed by Ben Wheatley THE
SPECTACULAR NOW directed by James Ponsoldt 
STORIES WE TELL directed by Sarah Polley 

BRIDGESTONE NARRATIVE COMPETITION 
3 by Pablo Stoll
ALL THE LIGHT IN THE SKY directed by Joe Swanberg
BREAKFAST WITH CURTIS directed by Laura Colella
THE COLD LANDS directed by Tom Gilroy
THE HISTORY OF FUTURE FOLK directed by John Mitchell, Jeremy Kipp Walker
I USED TO BE DARKER directed by Matthew Porterfield
IF YOU DIE, I WILL KILL YOU directed by Hiner Saleem
IL FUTURO directed by Alicia Scherson
THE LAND OF EB directed by Andrew Williamson
THE MOST FUN I’VE EVER HAD WITH MY PANTS ON directed by Drew Denny
PIT STOP directed by Yen Tan
SOME GIRL(S) directed by Daisy von Sherler Meyer
THE SUNSHINE BOYS directed by Tae-gon Kim
A TEACHER directed by Hannah Fidell
TEY directed by Alain Gomis
THIS IS MARTIN BONNER directed by Chad Hartigan

DOCUMENTARY COMPETITION
AFTER TILLER directed by Martha Stone and Lana Wilson
FALL AND WINTER directed by Matt Anderson
FAR OUT ISN’T FAR ENOUGH: THE TOMI UNGERER STORY directed by Brad Bernstein
GMO OMG directed by Jeremy Seifert
THE GUERILLA SON directed by David Herdies and Zanyar Adami
I AM DIVINE directed by Jeffery Schwarz
ICEBURG SLIM: PORTRAIT OF A PIMP directed by Jorge Hinojosa
LUNARCY! directed by Simon Ennis
MAGIC CAMP directed by Judd Ehrlich
MCCULLIN directed by David Morris and Jacqui Morris
PERSISTENCE OF VISION directed by Kevin Schreck
PLIMPTON! STARRING GEORGE PLIMPTON AS HIMSELF directed by Tom Bean and Luke Poling
REMOTE AREA MEDICAL directed by Jeff Reichert and Farihah Zaman
A RIVER CHANGES COURSE directed by Kalyanee Mam
THESE BIRDS WALK directed by Omar Mullick
WORDS OF WITNESS directed by Mai Iskander

MUSIC FILMS/ MUSIC CITY 
BEWARE OF THE DOGS directed by Kennedy
DIE THOMANER—A YEAR IN THE LIFE OF THE ST. THOMAS BOYS CHOIR LEIPZIG directed by Günter Atteln and Paul Smaczny
FOLK directed by Sara Terry
GOOD OL’ FREDA directed by Ryan White
JIM LAUDERDALE: THE KING OF BROKEN HEARTS directed by Jeremy Dylan
A LOVELY DAY directed by Kerri Gawryn
MUSCLE SHOALS directed by Greg ‘Freddy’ Camalier
MUSIC WOOD directed by Maxine Trump
THIS AIN’T NO MOUSE MUSIC! directed by Chris Simon and Maureen Gosling
VIVA CUBA LIBRE RAP IS WAR directed by Jesse Acevedo
VERY EXTREMELY DANGEROUS directed by Paul Duane
WE ALWAYS LIE TO STRANGERS directed by AJ Schnack and David Wilson

THE NEW DIRECTOR FILMS 
APE directed by Joel Petroykus
BOY EATING THE BIRD'S FOOD directed by Ektoras Lygizos
DETROIT UNLEADED directed by Rola Nashef
THE DISCOVERERS directed by Justin Schwarz
FLICKER directed by Patrik Ecklund
THE GO DOC PROJECT directed by Cory James Krueckeberg
IT FELT LIKE LOVE directed by Eliza Hittman
NAIROBI HALF LIFE directed by Tosh Gitonga
ONE SMALL HITCH directed by John Burgess
OUT OF THE DARK directed by Michael Mayer
PICTURE DAY directed by Kate Melville
THIS IS WHERE WE LIVE directed by Josh Barrett, Marc Menchaca
TRATTORIA directed by Solleen Yusef

For more details go to:

NASHVILLE FILM FESTIVAL ANNOUNCES 2013 SPECIAL PRESENTATION LINEUP
http://filmnashville.org/?p=2538

2013 NASHVILLE FILM FESTIVAL ANNOUNCES DOCUMENTARY FILM LINEUP
http://filmnashville.org/?p=2541

2013 NASHVILLE FILM FESTIVAL ANNOUNCES BRIDGESTONE NARRATIVE FEATURE LINEUP
http://filmnashville.org/?p=2544

NASHVILLE FILM FESTIVAL ANNOUNCES 2013 MUSIC FILMS/ MUSIC CITY LINEUP
http://filmnashville.org/?p=2547


More information on each film and film stills are available at www.NashvilleFilmFestival.org 


*   *   *
NOW CASTING: "THE REAL NASHVILLE"

New TV series looking for personalities in Music City..

Cornwell Casting is currently searching for individuals with BIG personalities in or around the city of NASHVILLE who are involved in the city’s thriving music industry to be a part of a new TV series for a major cable network!

Are you an up-and-coming local singer/musician trying to break into the music industry?

Do you own a local bar, honky-tonk, or hotspot where rising music stars play nightly?

Are you a music executive, entrepreneur or power couple that are a part of the affluent Nashville social scene?

We’re searching for the REAL movers and shakers of the “Music City” to feature on a HOT new reality show. Think the real life version of the hit TV series “Nashville.”

For more information email tony@cornwellcasting.com or fill out the online application to apply --https://ccasting.wufoo.com/forms/untitled-nashville-show/

Applicants must be 21 or over.


*   *   *

FILM-COM WEEK:

ALL-ACCESS PASS CURRENTLY AVAILABLE FOR SCHERMERHORN GALA, NEW PROJECT EXPO & FILM/TELEVISION BUSINESS SEMINARS..

*FILM/TELEVISION INDUSTRY GALA -- SCHERMERHORN SYMPHONY CENTER

Mayor Dean joins Oscar-winner Callie Khouri, producers of the "Nashville" series, DreamWorks Animation, SyFy Channel & dozens of film & television executives, filmmakers from around the US, several countries, and across the state of Tennessee for a film/television business networking gala that will take over the main floor and stage of the Schermerhorn Symphony Center. This is the film/television business networking event not to miss.

Tickets are limited -- http://film-com.com/2013-events/


*NEW PROJECT EXPO -- TITANS STADIUM

Standard, custom and sponsor exhibition booths, as well as general New Project Expo networking passes are still available for our largest trade show of new feature, television and documentary projects in progress, taking place at the Titans Stadium Club, with a wall of windows overlooking a spectacular view of the Nashville skyline and riverfront.

For more info go to

and to register -- http://film-com.com/2013-events/


*FAITH IN FILM CONFERENCE -- FRIST CENTER FOR THE VISUAL ARTS

Three seminars at the Frist Center for the Visual Arts [Auditorium] on the pragmatics of building your presentation materials in order to pitch your new projects to potential funding sources and valuable attachments -- this business information will be invaluable to Faith-based and general-market filmmakers, alike.

Just added: a case study panel with the creators of "The Identical" -- which stars Ashley Judd, Ray Liotta and Seth Green.

The Faith in Film Conference will conclude with a wine reception.

For more info go to http://film-com.com/faith-in-film-2013/

For tickets go to http://film-com.com/2013-events/


*FILM/TELEVISION BUSINESS SEMINARS -- COUNTRY MUSIC HALL OF FAME

INDUSTRIAL STRENGTH BUSINESS SEMINARS [no Filmmaking 101]

> How to Launch a Television Project - Scripted & Unscripted
> Documentaries - Financing & Distribution
> Women in Film & Television [in partnership with Women in Film & Television Nashville]
> Studio vs Independent Financing & Distribution [with special emphasis on the relationship between foreign sales and lender capital in the overall financing structure for a feature film]

Limited seating at Ford Theater, Country Music Hall of Fame -- http://film-com.com/2013-events/


*SCORE-COM BY NASHVILLE COMPOSERS ASSOCIATION -- OCEAN WAY STUDIOS

A weekend workshop on the art and business of composing and songwriting for film and television at beautiful Ocean Way Studios on Music Row.

For more information go to www.nashvillecomposers.org


*SCRIPT-COM BY TENNESSEE SCREENWRITING ASSOCIATION -- WATKINS COLLEGE OF ART, DESIGN & FILM

The art and business of screenwriting as told by Hollywood veterans currently working in different aspects of the business.

For more information go to www.tennscreen.com

NOTE: REGISTRANTS FOR SCRIPT-COM AND SCORE-COM WILL BE INVITED TO A PRIVATE PARTY ON SATURDAY EVENING, APRIL 13. THEY WILL ALSO RECEIVE ACCESS TO THE NEW PROJECT EXPO AND THE FILM & TELEVISION BUSINESS SEMINARS.


*SONGS FOR FILM/TV HAPPY HOUR AT THE HARD ROCK CAFE

Songwriters and filmmakers mix it up at the Hard Rock after the New Project Expo on Thursday, April 18.

 

For more info go to http://film-com.com/songs-for-filmtv-happy-hour/ 

 

*   *   *

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