Composer Greg Sims to Lead Film Scoring Workshop on May 13

          NASHVILLE, Tenn. -- Award-winning composer, arranger and orchestrator Greg Sims will lead the seminar, "Film Scoring 101: A Composer's Perspective", from 7-9 p.m. May 13 (Monday) at Celebrity Center Nashville, 1130 Eighth Ave. S.

          Sims is one of the most successful composer-arrangers in Nashville, scoring  music for projects such as  "The Lion of Judah", "Oprah's Legends Ball", and "Tugger: The Jeep Who Wanted to Fly". He will be joined by ASCAP Director of Film and TV Licensing Mary Self. The seminar is ideal for emerging composers whose goal is to write and score for film and television.

          Seating is limited. Learn more and RSVP at http://www.Artlightenment.com.

'Tunesmithing' to Celebrate 10th Anniversary on May 30, 2013

           NASHVILLE, Tenn. (May 2013) -- "Tunesmithing" will celebrate its 10th anniversary with a special show from 7-10 p.m. May 30 (Thursday) at the Best Western Music Row, 1407 Division St. in Nashville. 

           Performers will include singer-songwriters Amy Allen, Lisa Aschmann, Everette Brown, Wil Comstock, Bryan Cumming, Leslie Ellis, Chris Floyd, Dar Frantz, Casey Kelly, Diane King, Denny Martin, Crystal Miller, Mirka, Steve Morley, Laurie O'Shea, Sean O'Shea, Candy Paull, Randi Perkins, Rick Perry, Laura Powers, Betsy Warren, Brian Wright and Chuck Whiting. Poet Butterfly will read selections from her new book, "Grandma Butterfly's Dirty Dishes". Comedian Paulina Combow and publicist Chuck Whiting will emcee the show.

(Photo: Singer-songwriter Casey Kelly)

          Admission is free. Snacks and beverages will be available for purchase. "Tunesmithing" is sponsored by Whiting Publicity & Promotions, Music City Arts Update, and Shine Time Records and Books.

           "Tunesmithing" was founded in 2003 to spotlight emerging, professional and hit songwriters. The monthly show features an "open mic" and 25-minute solo sets that enable songwriters to share more of their songs. An emphasis is placed on mentoring, career growth and networking. 

           "We have a wonderful lineup of songwriters for the anniversary show," said show founder Chuck Whiting. "Most of the performers have performed on various 'Tunesmithing' stages over the past 10 years. We plan to return to a regular monthly schedule at a new venue sometime this summer."

(Photo: Songwriters celebrate after the "Tunesmithing" anniversary show in 2012.)

           For more information about the event, call (615) 423-9857, write Info@Tunesmithing.com, or visit http://www.Tunesmithing.com .

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The WannaBeatles Featured on 'From Me To You' Beatles Tribute Video

By Chuck Whiting

MCAU Editor

          NASHVILLE, Tenn. -- The WannaBeatles of Nashville, Tenn., have joined forces with 19 fellow Beatles tribute bands from around the world to help create a "global relay video" of performances celebrating the 50^th anniversary of the release of the Fab Four's first hit, "From Me to You".

            The Grammy-nominated band (Nathan Burbank, Bryan Cumming, Dennis Scott, and David Toledo) holds the distinction of being one of only three U.S. acts to participate in the worldwide effort.

            Liverpool’s award-winning The Beatles Story attraction, in conjunction with the world-famous Cavern Club, has compiled a music video that features musicians from the United Kingdom, Hungary, Brazil, Japan, Slovakia, Switzerland, Canada, France, Spain, Australia, Israel, Argentina and the United States. Each band was asked to record part of the classic "From Me To You". The performances were later edited into a video collage lasting three minutes and 24 seconds. The video can be viewed at http://youtu.be/PowillF6CGA.

            Performances begin and end at Liverpool’s world-famous Cavern club, where the Beatles’ career began. The single "From Me To You", which was released in the United Kingdom on April 11, 1963 (May 27 in America), was co-written by Lennon and McCartney while the group was touring the UK with Helen Shapiro. Also appearing in the video are the New England acts All Together Now! and Union Jack.

            "The WannaBeatles and I are proud to represent Nashville and the USA in this worldwide celebration," said Scott, a singer and guitarist for the group. "The Beatles gave us 'From Me To You', and this global effort is a great way of saying thanks 'from us to them'."

            The "From Me To You" video is part of the official events program of "Liverpool Celebrates 50 Years of the Beatles". Various events through 2014 will celebrate key milestone dates in the history of the world's most famous band.

            The WannaBeatles, themselves, are no stranger to world recognition. They had the honor of walking the Grammy Red Carpet in 2012 for their spoken word album, “Fab Fan Memories – The Beatles Bond.” The Grammy-nominated recording featured Louise Harrison, George Harrison’s big sister. After losing the award to the invincible Betty White, the band decided to honor the star with a new song and video, "Oh Betty!" It features The WannaBeatles as a '60s-style singing quartet (with a little help from a sweet Betty White look-alike). That video is available for viewing at http://www.youtube.com/watch?v=d_9TG-qwgKU.

            "It's no secret that the Beatles were influenced by the sounds coming out of Nashville," said Toledo, drummer/percussionist for the WannaBeatles. "We are so glad to live in a town whose songwriters and players are Beatles fans through and through."

            To find out more about the "From Me To You" world tribute to the Beatles video and The WannaBeatles, visit http://wwwTheWannaBeatles.com or send an e-mail inquiry to dsmusic1@me.com .

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Artists Can Bring Their Failed Paintings Back to Life at Gail McDaniel's 'Resurrection Workshop'

By Chuck Whiting

MCAU Editor

            NASHVILLE, Tenn. (May 2013) -- Watercolor and acrylic painters can bring their failed paintings back to life during artist/instructor Gail McDaniel's "Resurrection Workshop" from June 7-9 at Plaza Artist Materials, 633 Middleton St. in downtown Nashville.

(Gail McDaniel's "Sunrise Reborn")

            The Franklin, Tenn., instructor will show artists at all levels how to solve composition, value and color-related problems using her specially developed collage techniques. McDaniel's process involves applying collage, incorporating fabric, and using painting touchups to create breathtaking mixed-media works of art. Examples of the artist's rescue efforts can be found on her website at http://www.gailmcdanielart.com.

            "As far as we know, this technique has never been taught in Middle Tennessee," said McDaniel, who was named the PENCIL Foundation's "Volunteer of the Year" in 2012. "If you are an artist who's given up on a failed painting, don't despair. Paintings can be rescued and transformed into something beautiful. Artists who attend my workshop are always amazed."

            The "Resurrection Workshop" will meet from 9 a.m.-4 p.m. on Friday, Saturday and Sunday. Participation is available on a first-come, first-served basis, with seating limited to 20. The workshop sold out with a waiting list when it was last offered in 2011. Tuition is $150. Attendees are encouraged to bring a sack lunch all three days. For more information or to register, call (615) 599-5115.

            "Artists can turn those 'I don't know what to do with them' paintings into works they will be proud to frame," added McDaniel, whose studio is located in Franklin. "I will share insights about the techniques I've developed over the years and offer feedback or suggestions when needed. Each painting is resurrected differently. With McDaniel's direction and guidance, it will be up to each individual artist to creatively repair his or her own painting."

            An award-winning visual artist, McDaniel has taught watercolor workshops on three continents and in Central America. She has trained more than 1,100 different artists from 36 different states (including Alaska and Hawaii), the District of Columbia, Australia, Brazil, Canada, Guatemala, Japan, Mexico, the Philippines and South Korea. She has taught 11 workshops at historic Ghost Ranch in New Mexico, a landmark where the late Georgia O’Keefe lived and painted.

            McDaniel has helped raise almost $90,000 for the arts in area public schools through the "Students and Friends of Gail McDaniel Awards". The PENCIL Foundation in Nashville honored her for her efforts by naming her its 2012 "Volunteer of the Year". The fund-raising effort also earned McDaniel and her husband, Ken, a nomination in the "Volunteer Innovator" category of the 2009 Mary Catherine Strobel Award. She recently received an award for "Excellence in Community Service" from the Travelers Rest Chapter of the National Society of the Daughters of the American Revolution and was inducted into the Cave City, Ky., Hall of Fame. An eighth-generation Kentuckian, she has been named to the Honorable Order of Kentucky Colonels as one of  "Kentucky's ambassadors of good will and fellowship around the world."

            McDaniel, who lives in Williamson County, gained international notoriety in 2001 when she was named an associate member of the Winsor & Newton Creative Artist Network in London, England, and invited by directors of the "Art in Provence" program to conduct an eight-day watercolor workshop in Dieulefit, France. 

            A native of Kentucky, she has studied under 37 noted art instructors. The artist’s reputation as a budding artist grew in 1984 when she was commissioned to paint a family landmark by Kentucky Governor Louie B. Nunn. She has had 52 solo exhibitions during her career. The Brentwood Public Library hosted her first Tennessee solo art exhibition in 1994.  In 1996 and 1997, she was invited to design the theme poster for the Nashville Symphony’s "Italian Street Fair".  In 1998, she was commissioned to paint 18 watercolor paintings for a permanent collection at the newly opened Marriott Hotel and Convention Center in Franklin, Tenn.  A year later, she was commissioned to paint 13 pieces for the annual Nashville Scene N-Focus social calendar.

(Gail McDaniel's "Queen Anne Unlaced")

            In 2000, she became a member of the arts faculty of Cheekwood Botanical Garden & Museum of Art in Nashville, teaching weekly art classes. A year later, she was commissioned to paint a promotional streetscape of four homes for Newmark Homes and five other paintings for the Nashville Home Builders Association/SunTrust Bank 2001 "Parade of Homes". In 2003, she traveled to Giverny, France, and painted in Monet’s Garden. She has judged local, regional and statewide art shows, including a statewide competition at the Tennessee State Fair in Nashville.

            In 2005, McDaniel was commissioned to paint the invitation cover for "A Little Night of Music", a PENCIL Foundation fund-raiser starring LeAnn Rimes. A local newspaper spotlighted the artist after she created a poster commemorating the 50th anniversary of the Brentwood Chamber of Commerce. She was invited to be the featured artist for the "Martin's Master Show" in Brentwood, Tenn., in November 2009.

            Other upcoming training opportunities with McDaniel include watercolor painting classes for artists at all levels at Brentwood United Methodist Church (April 30-July 9); classes for intermediate and advanced artists at Plaza Artist Materials in downtown Nashville (May 1-July 10); and the "Disappearing Purples Workshop" on May 31 in Cookeville, Tenn.

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'Nashville Film Festival' Closes on High Reel

NASHVILLE FILM MONTH:

April 22-25, 2013

By Chuck Whiting

MCAU Editor

            The "Nashville Film Festival" ended its 44th annual run at the Green Hills Regal Cinema with unforgettable movie screenings, educational panels, and the closing party. Following are highlights of activities occurring during the period April 22-25.

THE RED CARPET AND VIP TENT:

            Various producers, directors, actors, screenwriters and composers walked the Red Carpet for photos every day. Artists arrived at various times from the lower level of the venue's parking deck. Cameras were snapping like crazy with the Tuesday arrivals of Nashville Mayor Karl Dean and Convention and Visitors Bureau CEO Butch Spyridon ("For the Love of Music: the Story of Nashville"), as well as Grand Ole Opry star Bill Anderson and Americana singer-songwriter Jim Lauderdale.

(Photo: Butch Spyridon and Mayor Karl Dean)

            The nearby VIP Tent was a gathering place for filmmakers from all over the country. The festival offered drinks and snacks during the day, and full meals every evening. Attendees packed the tent on Thursday night for the closing party celebrating eight days of movie screenings, networking and career opportunities.

EDUCATIONAL PANELS:

            Tuesday's "Song To Sync: The Path to Placement" (Russell Ziecker, Steven Vincent, Trygge Toven, Chase Misenheimer, and Matt Mugford) offered invaluable insights on how to pitch original songs and music for films, TV shows and commercials.

            The information they shared carries both good and bad news for songwriters and composers who want to break into the film and TV business.

            * Breaking Down The Walls -- Good songs come from average people, but successfully getting a song through the various industry barriers takes confidence, persistence, and a lot of work. Some of the pros, including Ziecker, make an effort to review the hundreds of submissions they receive (mostly late at night). Others are so busy that they only rely on the sources they know, including music publishers and film music libraries. Film libraries and organizations like Taxi were cited as potential ways to break through. Cold calls are rarely accepted. Never send MP3's without first getting permission from the recipient.

            * Soundalikes Wanted -- Many of the songs (from independents) that filmmakers license replace classic tunes that the studios can't afford. If you're a group who sounds like the Rolling Stones, and a Rolling Stones song fits the bill, you stand a chance of landing a song in a movie.

            * Be Prolific -- Write, write, write! Then keep writing. The more material you have to choose from, the better.

            * Be "Pitch Perfect" -- Before you pitch a song, it's essential to know what a music supervisor or director is looking for. To be "pitch perfect", you need to study the plot of a movie or TV show before writing and submitting your song. Otherwise, you've wasted their time.

            * Don't Expect To Make Big Bucks (Right Away) -- Sorry independent songwriters and composers. Until you write the big hit, you're unlikely to receive a hefty payment for your song. These days, the studios are trying to save as much money as they can. Budgets for music are very limited. Fees are typically low, with filmmakers offering "exposure" and "re-use" as incentives.

            * Expect to Wait and Occasionally Lose Out -- Sometimes you have to wait for your song to ever see the light of day -- even if it's already licensed to be in a movie. A movie plot can change at the very last minute, requiring music supervisors to start all over again. If your song seems to fall through the cracks, don't despair. Songs are known to resurface in other projects down the road. While you wait, keep writing and pitching.

            * TV Versus Film -- Television shows differ from movies in that new music is needed every week for a period of time. It's fast-paced and hectic, but the dividends can be greater over the long haul.

            * Radio and TV Jingles -- Smaller companies are always looking for cool, new music to help get out their message. But you can forget about the larger companies. They have the money to pay for the big hits (think Beatles).

            * Recording Quality -- Only master quality (ready-to-air) recordings are accepted. Always provide vocal and instrumental versions. You never know what a studio might need. It's best to be prepared.

            * Get All Your Musical Notes in a Row -- Control the process. Be sure you have permission in writing (contractually) from everyone involved before you submit a master recording for consideration. Do you own the master? Is the song copyrighted? Are union players involved? Are all of the contracts signed?

            * The Wild West -- It's a crazy world out there, and the legal landscape is quickly changing. Be sure to sign up with a performing rights organization (ASCAP, BMI or SESAC). Then again, some of the panelists believe they may be on the way out. Sign up with Sound Exchange, but don't expect them to be able to effectively monitor the music Universe. Look for the business partners who best meet your needs (at a given time). Expect to make changes along the way.

            * Conduct Research -- Be willing to invest a little money in directories and organization memberships to obtain invaluable contact information.

FILM SCREENINGS:

            A host of films, including many made in Tennessee and across the South, were featured at this year's NaFF. You can see the entire list at www.NashvilleFilmFestival.org .

            * "Folk" -- This wonderfully "authentic" documentary tells the story of three singer-songwriters at different stages of their careers. The audience follows Raina Rose, Hilary Claire Adamson, and Dirk Hamilton as they navigate the thriving subculture of American folk music. They confront family relationship and financial challenges in their own lives while struggling to be heard in a colorful world of small town house concerts, jammed folk conferences, tiny bars, and festivals. All of the artists exude a resolute determination to succeed despite the incredible odds. They are willing to lose everything -- even their homes -- as they push on with an insatiable passion to write, perform and be heard. The movie magically brings their heartfelt journeys to life, taking audience members through the packed halls of a Memphis hotel, across a summer campground in Kerrville, and down the winding highways of rural America. Director Sara Terry's message is infectious and moving, leaving us yearning for more. "The music is the story, and the stories are the stars," said Terry, who funded the documentary with a Kickstart campaign. "We need to get back to where we make music for the love of it."

(Photo: Sara Terry)

            *  "For the Love of Music: the Story of Nashville" -- In accepting his surprise award of appreciation from the NaFF, Nashville CVB head Butch Spyridon exclaimed: "This is the coolest damn city in the world." When it comes to telling Nashville's story, the documentary has "authentic" hits and misses. The hits: "For the Love Of Music" features an impeccable cast of artists, including The Black Keys, Fisk Jubilee Singers, Kings of Leon, Kris Kristofferson, Emmylou Harris, and a barefooted Vince Gill. All do an excellent job raving about Nashville's emergence as an "authentic, multi-genre city". The movie is likely to make musical and tourist waves in certain places and may even premiere on a TV network like Showtime (as Spyridon hopes). But it doesn't tell the whole story. Missing are a number of key ingredients: The Symphony's impact on the collaborative wonder of Nashville's musical landscape... the appreciation of CCM/gospel greats like Amy Grant (although Michael W. Smith was quoted briefly in the film)... the multitude of struggling songwriters who take nightclub stages every night with the dream of landing a label or publishing deal. The movie's focus is on the musicians and songwriters who've already made it. While this is probably the best direction to promote the city overall, it left a few "emotional" gaps in Nashville's story for writer/musicians like me. Perhaps the deeply moving movie "Folk" (which we had just seen) played into these observations.

            * "Unfinished Song" -- What better way to end the festival than with one of the most deeply touching films in years? Paul Andrew Williams' film (with help from actors Terence Stamp and Vanessa Redgrave) is a work of art that moviegoers will not soon forget. Arthur is a curmudgeonly old soul who is perfectly content sticking with his dull daily routine until his beloved wife, Marian, introduces him to a local seniors singing group. Superbly acted, the narrative tugs at audience members' hearts (and prompts a few tears) as Arthur overcomes a heartbreaking loss with the help of the choir director (Gemma Arterton). Clever humor is creatively placed between expressions of stubbornness, crankiness, frustration and grief. There are laughs galore when the choir sings hilarious renditions of hits by the B-52s, Salt-n-Pepa, and other popular bands. Wigs, electric guitars, aching backs and a few hoarse throats eventually give way to triumph and tissues. One leaves the theater saying: "This is a great film. I want my mom to see this one."

Read All About It: Coverage (stories and photos) for the "Nashville Film Festival" can be found at http://www.MusicCityArtsUpdate.com .

'Nashville Film Festival' Shines Spotlight on Filmmakers

NASHVILLE FILM MONTH:

'Nashville Film Festival' Report #1

April 18-21, 2013

By Chuck Whiting

MCAU Editor

            The "Nashville Film Festival" is in full swing with filmmakers and fans converging on the Green Hills Regal Cinema for the Red Carpet, movie screenings, educational panels, and parties. Following are highlights of activities occurring during the period April 18 to 21.

THE RED CARPET:

            The festival spotlights various producers, directors, actors, screenwriters and composers every day. Artists arrive at various times from the lower level of the venue's parking deck. Channel 4's Demetria Kalodimos received a good bit of media attention when she arrived Thursday night for the showing of her highly acclaimed documentary, "Indelible". Others to grace the Red Carpet (so far) include director Richard Speights Jr. ("America 101"), actress Claire Bowen ("Dead Man's Burden"), musician Big Kenny ("Coco D. Nut"), director David Wilson ("We Always Lie to Strangers"), actor Joshua Burge ("Ape"), and actors Paul Eenhoorn and Richmond Arquette ("This is Martin Bonner").

(Photo: Channel 4's Terry Bolger on the Red Carpet)

            The Tuesday (April 23) screening of "For the Love of Music: the Story of Nashville" is expected to draw a number of celebrities... possibly The Black Keys, Emmy Lou Harris, Peter Frampton, Bruce Springsteen, and Kris Kristofferson.

            The Red Carpet also was the location for an opening night silent auction. Attendees walked along tables to bid on items such as Southwest Airlines concert getaways, a celebrity guitar, autographed books, and meals at area restaurants.

EDUCATIONAL PANELS:

            Like the recent "Score-Com" and "Film-Com", The NaFF offers a wide range of film-related panels featuring some of the top professionals in the business.

            Sunday's "Master Class" presented by the Academy of Motion Pictures and Sciences (Joe Leydon, Tom Pollock, Sid Ganis, and Ellen Harrington) offered invaluable insights on the past, present and future (predicted) state of the film industry.

            All of the panelists agreed that digital technology (the ability to download movies anywhere at any time) has had a huge impact (positive and negative) on filmmaking. The blessing: New digital cameras make it possible for independents to shoot quality films. The curse: Some movie lovers are skipping the theaters for a living room or on-the-go experience.

            "We work hard to make movies look and sound great on the big screen," said Pollock, former chairman of Universal Pictures. "I hope we never lose that."

            Ganis agreed, citing the Oscar-winning "Life of Pi" as an example.

            "When I watched 'Life of Pi' on a big-screen TV, I thought it was pretty good," the former Academy president said. "But when I watched the 3D version in the theater with digital projection and sound, I considered it a cinematic miracle. There's just nothing like the movie theater experience."

            Pollock also spent a few minutes talking about the many challenges he faced after the release of Martin Scorsese's "Last Temptation of Christ". Trouble brewed after an evangelist led a rally protesting the showing of the film in a Mississippi theater.

            "This shows the impact that a film can have on society," he said. "Suddenly, we had 25,000 people protesting outside the gates of Universal. We received 4 million letters, mostly negative. Security guards even cornered a gun-toting intruder in the bathroom. My wife and kids had guards for years."

            Pollock was also at the studio when "Star Wars" was released. The film cost only $8 million to make.

            "I knew the world had changed when the spaceship crossed the entire screen on the opening shot," he added.

            As the director of exhibitions and special events, it's Harrington's job to break down cultural boundaries around the world. The academy faced a number of hurdles when representatives met with filmmakers in Iran.

            "The Iranian government condemned us," she said. "Some of the filmmakers there have been sent to jail. Despite this, they've found a way to get around government censorship. Our mission is to build a community of artists around the world. We all share the same passion."

            Other highlights from the discussion:

            * All of the panelists agreed that politics doesn't factor into the decisions Oscar voters make.

            * The Academy is a "group of individuals", not an "entity".

            * Agents are used for screenplay submissions for legal reasons.

            * The Academy's Don and Gee Nicholl Fellowships in Screenwriting is an international screenwriting competition established to identify and encourage talented new screenwriters. The deadline for submissions is May 1. Learn more: http://www.oscars.org/awards/nicholl/

            * The Academy Museum in Hollywood will feature 290,000 square feet of state-of-the-art galleries, exhibition spaces, movie theaters, and educational areas.

             

            * Most of the most successful filmmakers started as independents.

FILM SCREENINGS:

            A host of films, including many made in Tennessee and across the South, are featured in this year's NaFF. You can see the entire list at www.NashvilleFilmFestival.org .

            * "Indelible" -- Demetria Kalodimos' "Indelible: The Case Against Jeffrey Womack" uses interviews and footage from television news reports and interviews to show how "one man was blamed, charged, and ultimately disproved as the killer of Marcia Trimble. Kalodimos expertly merges old news footage with recent interviews to create a surreal, unforgettable experience.

(Photo: Channel 4's Demetria Kalodimos arrives on the Red Carpet)

            *  "Mud" -- A packed house was treated to the premiere of "Mud", a movie starring Matthew McConaughey (as Mud) and the now controversial Reese Witherspoon (as Mud's trouble-making girlfriend). The film is very moving, even prompting a few tears from the people seated around me. The storyline is fairly simple: Two boys find a man named Mud hiding out on a Mississippi River island in Arkansas. As the movie unfolds, the audience learns that Mud's unwavering love for the beautiful tramp Juniper has presented life-threatening problems, including a pursuing band of blood-thirsty bounty hunters. The cast is terrific, especially newcomers Tye Sheridan (Ellis) and Jacob Lofland (Neckbone). Young director Jeff Nichols (who greeted us using Skype) has done an outstanding job drawing out authentic "Southern drawls and mannerisms" in the snaky swamps of rural Arkansas. We'll see what happens after it premieres nationwide on April 26, but the hunch among the NaFF attendees is that "Mud" is sure to win an Oscar or two.

(Photo: Jeff Nichols greets moviegoers via Skype)

            * "This Is Martin Bonner" -- This movie had people talking (positively) after its showing on Sunday. Martin Bonner leaves his old life behind and moves to Reno, Nevada, where he finds work helping released prisoners transition to life on the outside. Meanwhile, Travis Holloway has just been released from prison. The two men form an unlikely friendship that offers them unspoken support and understanding. The verdict: What a surprisingly good independent film. Paul Eenhoorn and Richmond Arquette are simply terrific in their respective roles as Martin and Travis. Who knew that a low-budget film could elicit such emotion among moviegoers (during and afterwards)? The movie shows the "real" side of human experience, revealing how poor choices and suffering can lead to healing, understanding and friendship. How do we get back on the path of forgiveness? What do we do when we doubt our religious faith? How do we find the strength to rebuild a balanced life with purpose?

NETWORKING:

            Certain laminate holders, including NaFF members, sponsors and the press, have access to the VIP tent for the opening and closing parties, and just to hang out. Other laminate holders crowd the Red Carpet and surrounding areas to watch filmmakers arrive and network with the pros. It's a great way to compare notes, get to know your peers, and to encourage budding and professional filmmakers.

          All laminate holders can visit the Jenis stand for free ice cream. We try out a different flavor every time we wander the Red Carpet area.

Coming Up: Coverage for this week's "Nashville Film Festival", including Tuesday's panel "From Song to Sync: The Path to Placement". See all of our stories with photos at www.MusicCityArtsUpdate.com .

Other photos from NaFF:

'Film-Com' Helps Budding Filmmakers Land Opportunities

By Chuck Whiting

MCAU Editor

            During last week's opening party at the "Nashville Film Festival", an ecstatic couple greeted me with the words, "We received two offers!". They had spent the past few days (working day and night) to land financing and distribution for their independent film.

            Success stories like these are hard to come by. Filmmakers (like songwriters) spend countless hours (sometimes many years) networking at conferences, honing their craft, and knocking on countless doors. More than 150 of them packed the Country Music Hall of Fame's Ford Theater all day Wednesday (April 17) to learn from the top professionals in the field. Panels covered topics ranging from "How to Launch a Television Concept" (scripted or unscripted) and "Financing and Distribution of Documentaries" to "Women in Film & Television" and "Navigating the Studio System". Thanks to organizations like Film Nashville and events like "Film-Com", filmmakers' dreams are coming true (against the odds).

            During the late afternoon session "Navigating The Studio System", moderator Andy Van Roon showed us why he is one of the most knowledgeable (and hard working) film industry professionals in Nashville. He presented excellent questions at the right times and made a point to clarify some of the panelist's complicated (financial-speak) answers.

            The distinguished panelists (Allen Schwalb of Star Partners, John Hadity of Entertainment Partners, David Henry of East-West Bank, and Diego Martinez of Millennium) shared invaluable insights on how to finance a film -- a necessary ingredient for production, marketing and distribution. Following are highlights from their one-hour session.

            To land equity, mezzanine and gap loans and/or investors for your film, it's essential to do the following:

            * Get all of your ducks in a row. Develop a business plan that details all aspects of your project, including production costs and projected sales (both domestically and internationally). How much did similar films cost to market, and what kind of profit (if any) did they make?            

            * Try to involve an internationally known actor to add credibility (and foreign sales) for your project. (Think Magnolia Pictures and Nicole Kidman.)

            * Pre-sales can serve as collateral for your loan. Foreign box office revenues have increased dramatically. Research to find a dedicated, highly respected international sales agent to help land sales in foreign markets. Team up with someone who has a proven track record.

            * Keep after your sales agent (as the producer). Use the Internet to check results. Your film could easily be overlooked, especially if he or she has more than several clients.

            * Remember that all sales agents expect to be paid. Some of them will ask for a fairly large "chunk" (percentage) of the profit.

            * Should you be fortunate enough to land a distribution deal with a major studio, be sure to study the contract closely. The studios recoup certain expenses before you ever receive anything. Some even try to include marketing expenses such as congratulatory dinner parties. Play it safe by having a legal representative represent you in the negotiations.

            * Relationships are very important. Network to build a team of collaborators, mentors, sales agents, investors and distributors. Buy a film industry directory. Introduce yourself in person at industry-related offices in LA, New York and Nashville. Ask for casting advice to help build value for your film.

            * Can you beat the odds? More than 10,000 films were submitted for the "Sundance Film Festival" (for only 34 slots). More than 3,000 were submitted for the "Nashville Film Festival".

            * You need seed money to get started. Get to know your doctors, dentists and others for financial support. New digital technology makes it easier and cheaper to make an independent film.

* * *

Footnote: The "Women in Film & Television" panel offered insights on the challenges women sometimes face when trying to launch a project in the highly competitive, sometimes "male-dominated" industry. Here are a few tips from the panelists:

            * Women can overcome perceived disadvantages if they are business-like, have a tough skin, learn how to play "being female" (as a strength), and be aggressive. "Don't let them get ya!"

            * Female directors should pick their teams very carefully. "Have people who are willing to go into the trenches with you."

            * Remember that some countries are more "male-dominated". One example is Serbia, where female producers, directors and actors may face bigger challenges. When facing a challenge, "let your work speak for itself."

            * Try to keep your weekends free. Hire someone so you can "have a life."

Coming Up: Coverage for this month's "Nashville Film Festival", including the Red Carpet, Demetria Kalodimos, and the engrossing new film, "Mud". See our stories with photos at http://www.MusicCityArtsUpdate.com .

           

            

Music, TV and Film A Perfect Mix in Music City

By Dan Wunsch

MCAU Guest Writer

(This article was published in the March/April 2013 Issue of the Nashville Music Guide.)

     NASHVILLE, Tenn. -- Through the years, Nashville is becoming known as "Tinsel Town South" not only because of the LA transplants relocating here, but the city has earned the reputation of being a major film center through three annual major conferences and festivals: "Film-Com", the "Nashville Film Festival", and the "Nashville Screenwriters Conference".

(Dan Wunsch (right) greets New York Times reporter Phil Sweetland during the opening party for "Score-Com" and "Film-Com".)

     Each has filmmakers and film industry executives flocking to Music City from around the world, and the common thread that has made all three successful is the participation of Hollywood insiders, including directors, producers, film/TV executives, actors and screenwriters. Nashville songwriters, music publishers and record labels have a unique opportunity to place their songs and compositions into film and TV by networking at these events.

     "Film-Com" 2013 is scheduled from April 13-19 with sub-events scheduled throughout downtown Nashville. The primary mission of this film industry conference and market is to bring film, TV, investment and distribution companies together with filmmakers for the packaging, funding and distribution of new film and TV projects. The bread and butter of "Film-Com' is industry seminars, pitch sessions to industry executives, and a film market showcasing film and TV projects. Companies sending representatives this year include Dreamworks Animation, SyFy Channel, TLC, Valhalla Television, Millennium Film, I.M., and Global International Distribution to mention a few. 

     Several "Film-Com" events have been designed specifically with Nashville's music community in mind. The conference opens with a workshop/seminar for composers titled "Score-Com" on April 13 at Ocean Way Studios. Last year, the workshop/seminar was mentored by Richard Glasser, head of the music at Weinstein Co.

     The Film/TV Industry Bash is on April 17, and besides being a monstrous networking party, will also feature a panel with the movers and shakers behind the TV series "Nashville": script writer Callie Khouri, producer Loucas George, and creator Steve Buchanan. 

     The "Syncs & Drinks", the largest group of companies and professionals in Music City involved in placing songs in film and television projects, is hosting a networking event on April 18, which will be immensely useful for both filmmakers looking for song material and for songwriters looking to establish relationships with creators of film and television projects.

     The "New Project Expo" takes place at Titans Stadium on April 18, and is an exhibition of films and TV series with networking opportunities with producers and directors. This is an excellent opportunity to introduce yourself as a potential source of music for their currently-in-development or future film and TV projects. 

     For a complete list of events and participants visit http://www.nashvillecomposers.org and http://www.film-com.com.

     As the dust is settling on "Film-Com", the 44th annual "Nashville Film Festival" (a.k.a. NaFF) begins on April 18 and ends on April 25. As in past years, the festival will take place at the Regal Cinemas in Green Hills.  Included in the final slate of fictional and documentary films, selected from over 3,000 submissions, there are several documentary films with music themes from rock and roll and hip hop to boys’ choirs and classic country. Some of the artists portrayed in this year’s crop of films include the Sheepdogs (Canadian rockers); the St. Thomas Boys Choir; the Beatles through the eyes of their devoted secretary and friend, Freda Kelly; Jim Lauderdale; Oakland Hip Hoppers; artists influenced by the Muscle Shoals sound; Cuban rap group Los Aldeanos; artists from Bronson, Mo.; and others.

     Not to be missed is the Opening Night Selection Feature on April 18 of the Film "Mud", directed by Jeff Nichols and starring Matthew McConaughey and Reese Witherspoon. This screening is preceded by the red-carpet event, which always includes not only NaFF participating celebrities but also many surprise VIP’s. Bring your camera and find your spot with the paparazzi.  

     The Closing Night Selection on April 25, is the film "Unfinished Song", directed by Paul Andrew Williams and starring Terrence Stamp and Vanessa Redgrave. The story line is seniors join a local singing group led by a charming and youthful director who reignites his passion for adventure.

     For a complete list of events including not only films but panel discussions and special events, visit http://www.nashvillefilmfestival.org .

     Last but not least, the 15th Annual Nashville Screenwriters Conference is scheduled from May 31 to June 2, 2013. This year, it returns to the Union Station Hotel. The foundation of the conference is panel discussions and seminars with the top screenwriters from Hollywood and New York, and this year's invitees will not disappoint. To mention a few, Alec Berg (SEINFELD, CURB YOUR ENTHUSIASM, THE DICTATOR), Nancy Pimental (SOUTH PARK, THE SWEETEST THING, SHAMELESS), Manish Ravel (GIRLS, NEW GIRL, BAD TEACHER), Craig Mazin (IDENTITY THIEF, HANGOVER PART 2, SCARY MOVIE 4) and  Glenn Berger (KUNG FU PANDA, KING OF THE HILL). 

     The cornerstone event for Nashville’s music community is once again the "Music in Film and Television Panel" hosted by Anastasia Brown on June 1 at the Country Music Hall of Fame's Ford Theater. Major music supervisors will offer insider knowledge on how to place songs into films and television. The audience attendees will have the rare opportunity to submit one song to these panelists for their current projects. Actual scenes from projects in post-production will be shown on the big screen in the Ford Theater or script pages read, and each supervisor will describe the type of song required for the scene.

     Success stories from previous panels include placements in DREAM HOUSE, IN TIME, THE DARKEST HOUR, SANTA CLAUS 2 and  AUGUST RUSH to mention a few. 

     "Every label, publisher, manager, song writer and artist in town should attend this financially beneficial and inspiring panel," said Rod Essig, Creative Artist Agency executive. 

     For a complete list of events, participants and special events, visit http://www.nashscreen.com .

     In closing, in addition to ALL-INCLUSIVE tickets for each of the three major happenings, there are one-day or single-event tickets available, an attractive alternative for “starving artists.” The road to success has many paths. Consider these three major Nashville film conferences and festivals as one of them.

Comments to danwunschwriter@yahoo.com .