Wrapping Up AmericanaFest: Americana Artists and Fans Thrive on Originality

 “Always be a first-rate version of yourself, instead of a second-rate version of somebody else.” — Judy Garland (I’m worn out, but totally satisfied. AmericanaFest was even better than in years past with outstanding performances by legends and emerging artists (and plenty of surprises). Friday night, my fellow MCAU writer and I saw a splendid show at the Analog featuring legendary pianist/songwriter Benmont Tench of the Heartbreakers (on Steinway), along with Michaela Anne, Abigail Rose, and Nicole Atkins (with surprise guest Chris Isaac). We soaked in (while sweating) amazing live music for 12 hours on Saturday (the final day). Highlights included the soulful McCrary Sisters at the Americana Gospel Brunch with surprise guest Sheryl Crow (City Winery), the bluegrass-accented Commonwealth of Kentucky Party (Basement West), the Texas swing band Eddie Slide and His Cowtown Dozen (Basement East), and sassy heartbreaker Ashley Monroe (Station Inn). As always, we struck up conversations with visitors from far and wide, which shows just how popular Americana music is (and how far this wonderful festival has come). I also ran into friend/songwriter Lisa Aschmann as always. Unlike the CMA Fest (which spotlights mainstream artists represented by the major labels), AmericanaFest is tried and true, down-in-the-gut originality by immensely talented musicians who have to be themselves. That authenticity (heart and soul) is what music fans like me are yearning for.) #ChuckWhiting #ChucksDiary #AmericanaFest #Music #MusicCityArts 9-21-26 Check out our coverage at https://musiccityartsupdate.blogspot.com/?m=0 

MCAU staffers Chuck Whiting & Wil Comstock… 

Talent Overwhelms Americana Music Lovers at Analog

By Wil Comstock

MCAU Contributing Writer

Analog at the Hutton, Friday Evening (Sept. 18, 2026)

     Arriving as Michaela Anne was finishing up her soundcheck, we spotted a table near the front with two empty chairs.  Tom, our new friend, was seated alone.  He recently retired from the University of New England with years in administration. He and his wife now live in Fairview, Tennessee.

     Michaela Anne is a little alt-country and a little indie pop-rock.  Her lyrics are honest and open. Giving us a window on her own life, caring for a mother recovering from a stroke, and her own challengers with early motherhood.  I was hooked by the second number, “Will You Still Love Me with a Broken Heart.”  Her warm, down-home vocals and easy going delivery reminded me of the artists I loved from the ‘70s.  Other favorites were “Desert Rose” and “These are the Days.”

     By the time Benmont Tench (Benjamin Montmorency Tench III) took the stage, there was standing room only. Benmont was born in Gainesville, Florida.  He met Tom Petty when he was 12 years old.  They later formed the band Mudcrunch, which morphed into The Heartbreakers. Besides playing keys with Petty, he is an in-demand session player for the likes of Stevie Nicks, Bob Dylan and Aretha Franklin.  He and Petty penned several songs together for the band.  Tench also had his songs recorded by other artists, including the gut-wrenching “Unbreakable Heart,” my favorite.  He told us he had gone through reconstructive surgery for his jaw and tongue due to cancer, saying it gave him a lisp. But honestly, I couldn’t tell.  Highlights were “Under the Starlight” and “Waddle.”  Watching his set, I was very much aware I was in the presence of a musical songwriting genius.

     Be on the lookout for Abigail Rose!  This Nashville native has presence, a powerful voice, and her first album coming out next month.  I thoroughly enjoyed this indie folk artist’s enthusiasm for each song she forthrightly delivered.  Favorites were “Run Girl,” “Dying to Live,” and the beautiful “Heaven,” written on a trip to Angel Island in the San Francisco Bay.  

     Nicole Atkins grew up in Neptune, New Jersey, listening to her parent’s recordings of the Ronettes, Beach Boys, and Johnny Cash.  She went to college in Charlotte, North Carolina, for illustration and soon became involved in the local independent music scene.  She has never looked back.  With seven albums under her belt, and working with artists like Chris Isaac, Elvis Costello, and Tommy Stinson, this seasoned performer presented a great set, treating us to her new album “Drama” track by track.  I particularly enjoyed “ Trippin on Teardrops.” Like a Stranger” and “Cue the Symphony” a duet with her producer, Pat Sansone, of Wilco.

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AmericanaFest: Joe Henry and Mike Reid Take Music Fans to Heaven

 By Wil Comstock

MCAU Contributing Writer

City Winery

Sept. 12 (Friday)

Ron Pope went viral on My Space in 2007.  He released four independent albums before signing with Universal Republic, which released two singles. After that, Pope created his own label, Brooklyn Basement Records.  His appeal to the party crowd was evident on the swamp rock numbers “Let’s Get Stoned” and “Nobody’s Gonna Make It Out Alive.”

Joe Henry and Mike Reid met as fellow instructors at a local song camp. Mike started the conversation by asking Henry who his favorite poets were.  They hit it off right away resulting in Henry sending Reid some lyrics.  The next day, Joe received an mp3 of what Mike came up with.  This continued until there was an album’s worth of music. Joe took the original piano vocals and added sparse production. 

The band at City Winery was comprised of Reid on piano, Joe on guitar, a pedal steel player, and Levon Henry (Joe’s son) on tenor sax and clarinet. The music swelled and took me off to another land, reminding me of mid-career Joni Mitchell.  Mike Reid’s seasoned voice was the perfect vehicle for these songs. Heavenly!  I especially enjoyed “The Bridge,” “Life and Time,” “History,” and the huge Reid/Shamblin co-write for Bonnie Raitt, “I Can’t Make You Love Me.”

I could listen to David Nail’s honest and aching voice all night. He sings country like it should be sung, from experience.  He writes or co-writes most of his songs. He’s not afraid to talk about his depression, saying “It’s just who I am.” Highlights of the evening included “Strangers on a Train,” “Let it Rain,” and the new “I Got Everything I Want.”

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AmericanaFest: Ten Things I Loved About the Awards Show

 By Wil Comstock

MCAU Contributing Writer

Ten Things I Loved at the 2025 Americana Music Honors and Awards Show:

·      Maggie Rose performing “No One Gets Out of Here Alive.”  I had not heard of her, incredible voice, great stage presence, I’m in!

·      McCary Sisters winning the Legends Award.  Oh, how I love these women and how I miss Sister Deborah.  They deserve every bit of this recognition.  Followed by a flawless rendition of “What Good Am I.”

·      Jesse Welles singing “War Isn’t Murder.”  This took me back to the ‘60s with his poignant lyrics and traditional fingerpicking.  I was glad to see him win the Freedom of Speech Award later in the show. 

·      The banter between Roseanne Cash and Rodney Crowell as they present a Lifetime Achievement Award to the Old 97’s.  Everyone seemed to enjoy this!

·      I’m With Her performing “Ancient Light.”  I am a fan of Sara Watkins, Sarah Jarosz, and Aoife O'Donovan individually, but together they are amazing.  What a great song.So happy to see it win Song of the Year!   

·      John C. Reilly and his band giving a smooth execution of Tom Waits’ “Picture in a Frame.” I didn’t know he could sing!  What a nice surprise.

·      Nathaniel Rateliff, David Rawlings, and Gillian Welch collaborating on “South of Here.”  They sounded so good together.  Nathaniel won Album of the Year, and Rawlings and Welch won best Duo or Group later on.  Well deserved!

·      Dawes singing “Time Spent in Los Angles.”  First released in 2011, the song took on new meaning after the wildfires in January.  Loved this stripped-down version.

·      Joy Oladokun singing “Letter from a Blackbird.”   Heart wrenching and beautiful at the same time.  I want to hear more from her.

·      Daniel Lanois and Emmylou Harris reuniting for “Where Will I Be” from her album “Wrecking Ball.”  Hard to believe this album is 30 years old. I will always champion an artist who wants to break out and risk trying something new.

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AmericanaFest: Unforgettable Moments from 2025

AMERICANAFEST: “American music is always best when it comes from a mixture of things.” — Rhiannon Giddens (AmericanaFest always has unforgettable moments. This year was all about helping bring people together. My MCAU staffer and I took in a number of shows that dug deep into the various “roots” of American music. My hunger and thirst for authentic, expressive, down-deep singing and instrumentation seemed to grow fiercer with every performance. The McCrary Sisters (at then Gospel Brunch) took us to Heaven with a deeply emotional opening performance of “Amazing Grace.” Legendary songwriters Joe Henry and Mike Reid brought pin-dropping silence, appreciation and tears… especially when performing the tune “I Can’t Make You Love Me.” War and Treaty blew the roof off of the building with groove, dance and soul… and heartfelt testimony. The Carlisle Family (Brandi Carlile kin) offered relaxing, down-home folk in an outdoor setting. Newly IBMA Lifetime Achievement Award-winner Tim O’Brien (with Jan Fabricius) brought smiles and laughs to bluegrass fans young and old. The Isaacs filled the room with heart and harmonies. Musicianship hit the stratosphere. The festival, which celebrated it 25th year, has grown to a whopping 58 venues across Middle Tennessee. There were other festivities, too, including the Commonwealth of Kentucky Party and the Americana Marketplace. Along the way, we had nice conversations with fans from states including California, New Hampshire, and New York. And you are always likely to run into someone you know. I am thankful to have opportunities like this in Music City. Here are a few photos from four straight days of live music and merriment.) #ChuckWhiting #ChucksDiary #RhiannonGiddens #AmericanaFest #Americana #Music #McCrarySisters #JoeHenry #MikeReid #WarandTreaty #TheCarlileFamily #TimOBrien #JanFabricius #Music #Nashville #Arts #MusicCityArts 9-14-25 (Observations and photos by Chuck Whiting, MCAU Editor)

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