Showing posts with label Film Music Symposium. Show all posts
Showing posts with label Film Music Symposium. Show all posts

Tuesday, May 8, 2018

Legendary Film Composer Chris Boardman to Lead Two-Day Score-Com Symposium June 16-17 in Nashville


         NASHVILLE -- Internationally known film composer, arranger, orchestrator and music professor Chris Boardman will provide insights on composing music for film during the Nashville Composers Association's annual Score-Com Symposium from June 17-18 (Saturday-Sunday) in Nashville.
        
         "Assembling The Ultimate Film Composers Toolbox" is expected to draw 50 emerging and professional composers to Ocean Way Studios on Music Row for two full days of training. Attendees will learn aspects including counterpoint, orchestration, compositional techniques, and balancing (rhythmic intensity, dissonance/consonance, and dynamics/articulations). Classic score analyses will occur for the films "Vertigo" (Herman), "What Lies Beneath" (Silvestri), "Out of Africa" (Barry), and "Legally Blonde" (Kent). Boardman will also analyze a scene from the movie "No Country for Old Men."

 

         The Symposium will occur from 10 a.m.-5:30 p.m. on Saturday and Sunday. It will cover both creative and business challenges unique to film and media composers, giving attendees the opportunity to write a cue with Chris' guidance.

         All Score-Com Symposium attendees will receive a complimentary Film-Com laminate with the opportunity to attend film industry business seminars, a VIP kick-off reception, and a special networking event on Sunday night.

         "We are thrilled to have the legendary Chris Boardman as our workshop leader for the annual Score-Com' Symposium," said Geoff Koch, president of the Nashville Composers Association. "Attendees will gain access to Chris' decades of professional scoring experience, from the man known in Hollywood as 'the guy who can write anything.'"

         Tuition for Score-Com's two-day symposium is $55 for NCA members and $85 for non-members. Individuals must register by June 7 to receive a free Film-Com conference laminate. Ocean Way Studios is located at 1200 17th Avenue South.

         To register, visit http://nashvillecomposers.org/events/score-com2018/. To learn more about the Nashville Composers Association, visit http://www.NashvilleComposers.org

 
        
         Beginning his career in the film, television and recording industry in 1974, Chris Boardman has consistently worked at the top echelon of the entertainment industry. He has received an Academy Award nomination for “The Color Purple," six Emmy Awards, 13 Emmy nominations, ASCAP and BMI film awards, and multiple platinum records for his work with such iconic artists as Quincy Jones, David Foster, Steven Speilberg, Julie Andrews, Shirley MacLaine, Barbara Streisand, Marvin Hamlisch and Josh Groban.

          Well known in Hollywood circles as one of a handful of musicians who can write anything, Boardman’s credits span both industry and genre. Whether it be conducting David Foster’s “World Children’s Day” for television, composing the '70s-inspired score for Mel Gibson’s “Payback,” arranging period dance music for “Swing Kids” and “Meet Joe Black,” orchestrating Anthony Newley’s “Chaplin” for Broadway, or leasing and producing solo recordings as an artist, Boardman embraces these challenges with characteristic integrity and passion. He is one of the most uniquely versatile and highly respected musicians in the industry. Always looking for new challenges, Boardman is the founded successful social media content consulting practice and is at the forefront of the fast-moving online media space.

           Boardman enthusiastically began his teaching career in 2012 at the acclaimed Frost School Of Music at The University of Miami as an Assistant Professor of Practice and director of the Media Writing and Production program. As a testament to his continual quest for excellence, Boardman recently received his second-consecutive “Mentor of the Year" nomination awarded by the graduate school of the University of Miami. His latest project involves reconfiguring the courses he developed at the University of Miami into an online format under the banner of The Chris Boardman Media Group.


Thursday, March 28, 2013

NCA to Offer Two-Day Film Music Symposium with John Capek




            NASHVILLE, Tenn. -- The Nashville Composers Association and Film-Com are pleased to present the two-day seminar “Music – The Script Support System” with composer, songwriter, keyboard player and arranger John Capek from April 13-14 at Ocean Way Nashville Recording Studios on Music Row.
  
            As both a composer and songwriter, John’s symposium will give composers a unique opportunity to learn how to write to picture via song — “scoring a scene in the form of a song”, and how various compositional techniques can be utilized in both score and song for picture. 



Sign Up by midnight Friday, March 29:  http://nashvillecomposers.org/events/registration/

Topics that will be covered in the symposium include:

DAY ONE:

THE OTHER HALF OF A SONG, MELODY AND HARMONY

            * Scoring music to lyric and scoring music to story.

            * Intros, endings, cadences, tension and release. Why do we care? How do you make a melody?

            * Do we need to be great instrumentalists to be great songwriters? Is tempo important and does it matter what key the song is in. Minor keys, what do they mean?

            * Do these words fit my melody?

            * Music is the other half of a song. It often takes second place in the songwriting process where lyric is king. Except for the fact that great melodies are the thing that history remembers.

            * This class discusses the process of music making in our songs and how to make better melodies and harmonies.

DAY TWO:

INTERACTIVE GROUP SONGWRITING EXERCISE:
LET’S WRITE AN ANTHEM TOGETHER

            * Writing a song is a creative process. What do Albert Einstein, Pablo Picasso and Socrates have in common with songwriters?  More than you would imagine.

            * How do we create something from nothing? What is the path we take to get from a musical point A to point B. How do we get inspired?

            * This is a class that covers the most basic fundamentals of writing songs, and then extends the process into an exploration of invention, creativity and inspiration.

            * How do we know our song is finished? What is prosody and why do we care? What comes first, music or lyrics? Why am I not getting cuts?

            Attendees are strongly encouraged to bring a notebook or score paper for the interactive exercise! All symposium attendees are invited to a Film-Com networking event on the evening of April 13 (Saturday) from 7 to 10 p.m.  Heavy hors d’oeuvres will be provided.  Feel free to bring your business cards, demos, or any other promotional materials!

Symposium Schedule:

Saturday, April 13:

11 a.m. – 12:30 p.m.: NCA Q&A Panel on “The Non-Musical Side of Music” and “Risk Taking”
2-5 p.m.: John Capek
7 p.m.:  networking event

Sunday, April 14:

11 a.m. – 12:30 p.m.: NCA Panel Discussion
2-5 p.m.: John Capek


            All paid attendees will also receive all-access laminates to attend the following Film-Com film and television business seminars:


            * The Film/Television Business Seminars at the Ford Theater, Country Music Hall of Fame on April 17 (Wednesday) from 10 a.m. to 5 p.m.


            * The New Project Expo at Titans Stadium on April 18 (Thursday) from 10 a.m. to 4 p.m.


            * The Film/TV Songs Happy Hour at the Hard Rock Cafe on April 18 (Thursday) from 5-7 p.m.


            DEADLINE: To receive your all-access Film-Com laminate, you must register by March 29, 2013.

Please click this link to register:

Seating is limited.  Regular enrollment fee: $85 – paid NCA members’ fee: $55.  Student rate with current student ID (must show ID at event sign-in): $45.

***
John Capek BIO:

            John Capek has achieved international acclaim as a composer, songwriter, keyboard player, producer, arranger and scorer for feature films and television. Rod Stewart leads the list of popular music icons who have recorded Capek compositions. Others include Bonnie Raitt, Cher, Diana Ross, Joe Cocker, Toto, Chicago, Olivia Newton John, Little River Band, Heart, Manhattan Transfer and Amanda Marshall. John Capek’s most performed award winning songs include  “Rhythm of My Heart”, “This”, “Soul on Soul” and “Carmelia”. Capek’s most performed productions include Dan Hill’s Billboard hit duet with Vonda Sheppard, “Can’t We Try”,  as well as work with Ken Tobias, Gene McLellan, Good Brothers and Downchild. As a keyboard player, John has recorded with Diana Ross, Olivia Newton John, Stan Rogers, Ian Thomas, Marc Jordan, Dan Hill, Kermit, The Chipmunks, The Simpsons and countless other international performers. John’s songs are heard in the feature films, “A Perfect Storm”, “Cocktail”, “Blown Away” and many others. For more information go to www.johncapek.com

            “I’ve been a fan of John’s music for many years. He’s one of the deepest, most talented and soulful writers I know and I find myself listening to his albums for inspiration and pleasure all the time.” – Bonnie Raitt