Showing posts with label Bettye LaVette. Show all posts
Showing posts with label Bettye LaVette. Show all posts

Saturday, September 23, 2023

AmericanaFest 2023: Celebrating Blues Great Bettye LaVette


By Wil Comstock

MCAU Contributing Writer

22nd Annual Americana Music Awards

 

     As I put my hands to the keyboard, I know you have already heard, read or seen who the winners were at this year’s AMA’s.  I would like to write about one winner in particular who has been overlooked for more than 50 years. She has always been here in plain sight. Finally, her day has come… the unstoppable, Bettye Lavette, winner of the Legacy of Americana Award in Lifetime Achievement. 


     Accepting the award, Bettye said, “I have been in this business for 62 years. And I have lost all humility; I deserve this award!”  The New York Times called her “one of the great soul interpreters of her generation.” 





     Jon Bon Jovi says of Lavette, “Some singers sing – then there is Bettye, she doesn’t just sing the song, she lives in each one of them.  I’ve stood close enough to see it in her eyes.”  


     Bettye performed the Randall Bramblett classic “In the Meantime” with all of the grit and soul this 77-year-old woman has acquired over her lifetime.


     In 1962, at 16, she recorded her first single, “My Man, He’s a Lovin’ Man,” produced by local record producer Johnnie Mae Matthewswhich Atlantic records later picked up. It became a huge R&B record between 1963-1964.  In 1965, she charted with “Let Me Down Easy” on Calla Records.  She continued to record but without much commercial success. Atco did not release her “Child of the Seventies” album. In 1979, she was asked to join the touring company of “Bubbling Brown Sugar”cast as Sweet Georgia Brown. She appeared with Honi Coles and Cab Calloway during the show’s six-year run.


     French soul music collector Gilles Petard got a hold of Lavette’s previously unreleased master of “Child of the Seventies,” which she recorded for Atlantic. He released it as “Souvenirs” in 2000. At the same time, Dutch fan Ben Mattijssen recorded Bettye at a live show in Utrecht, Holland, and released it as “Let Me Down Easy – In Concert” on hisMunich label. These two CDs, released almost simultaneously, created a renewed interest in Bettye, and showed that she was still in great voice.


     In 2002, Grammy Award-winning producer Dennis Walker got her signed to Blues Express, and they made her “comeback” CD, A Woman Like Me. Later that year, Mike Kappus, president of Rosebud Booking Agency, signed her on, prompting the release of “A Woman Like Me” in 2003. Bettye won the Blues Foundation’s W.C.  Handy Award in 2004 for Comeback Blues Album of the Year, as well as the Living Blues Critics Pick as Best Female Blues Artist of 2004!


     Kappus invited ANTI- Records President Andy Kaulkin to see one of Bettye’s shows. On the strength of her performance, Kaulkin asked Bettye to sign a three-record deal. Her first album was with Grammy Award-winning producer Joe Henry, who suggested an album of songs written entirely by women. The result was the album I’ve Got My Own Hell to Raise, which was on many critics’ “Best of 2005” lists.  Her second album for ANTI, The Scene of the Crime, was recorded in Muscle Shoals’ FAME Studios with Drive-By Truckers. It was nominated for a Grammy Award for Best Contemporary Blues Album.


     In 2006, she received the Pioneer Award from The Rhythm and Blues Foundation.  She received a Blues Music Award for Best Contemporary Female Blues Singer in 2008. In December of that year, she performed a critically acclaimed version of “Love Reign  O’er Me” at The Kennedy Center Honors in a tribute to Roger Daltry and Pete Townshend of the Who, who were among the honorees.


     In May 2010, her third ANTI- CD, “Interpretations: The British Rock Songbook,” was released to rave reviews. Lavette’s husband, Kevin Kiley, suggested the idea after her performance of “Love Reign O’er  Me” at The Kennedy Center Honors.


     The year 2012 saw the release of her no holds barred auto-biography, A Woman Like Me, co-authored with David Ritz, who has written biographies on Ray Charles, Aretha Franklin, and Marvin Gaye. 


     Verve Records released “Things Have Changed” in late 2016, an album of Bob Dylan coversGrammy Award-winning Producer Steve Jordan was at the helm. In 2019, It was nominated for two Grammy Awards, one for Best Americana Album, and the song “Don’t Fall Apart On Me Tonight” for Best Traditional  R&B Performance. 


     In 2020 Bettye’s second Verve album, Blackbirds, was released. It consisted of songs by black female singers from the ‘50s and ‘60s that inspired her early in her career. Again, she teamed with drummer/producer Steve Jordan. She was also inducted into The Blues Hall of Fame and received a Blues Music Award for Soul Blues Female Artist. In 2021, Blackbirds received a Grammy Nomination for Best Contemporary Blues Album.


     This year saw the release of “Lavette!”, an album of Randall Bramblett covers produced by Steve Jordan.   Bettye declares Bramblett to be “the best writer that I have heard in the last 30 years.”  This album has a stellar line up of musicians including Steve Winwood, Jon Batiste, John Mayer, and Larry Campbell, as well as Jordan. Lavette is daring and vulnerable as she stakes new ground on this collection of gems.

 






Friday, September 22, 2023

AmericanaFest 2023: The Americana Awards Show Brings Music ‘Family’ Together for Unforgettable Performances

The Americana Honors and Awards Show


Celebrating Bettye LaVette and Others


Ryman Auditorium/Nashville City Winery


Sept. 20, 2023




AMERICANA FEST 2023: “The music business needs music, but you don’t need the music business to make music.” — Steve Jordan, music producer (Americana artists who never found a complete fit in narrower music genres like country or pop have found their heavenly place, as well as a “family” to sing, strum and jive along with. And fans couldn’t be happier. The Americana Honors and Awards Show at the Ryman on Wednesday presented a delightful mix of soul, gospel, bluegrass, jazz, blues, country (and any rootsy, unidentified genre in-between), drawing applause after applause. People long to hear what’s true. Artists like Bonnie Raitt, The War and Treaty, Sista Strings, Nickel Creek, the McCrary Sisters, and Logan Ledger have been creatively unleashed to be totally themselves (without the constraints of pre-conceived notions), lifting music lovers to places they’ve never been. If you haven’t heard of Bettye LaVette (recipient of the Legacy of Americana Award), then start searching YouTube. This blues-and-guts singer (a Grammy nominee who has recorded in Muscle Shoals) has been filling entertainment venues for 62 years, but I bet Motown never told you. I’m always awed when I hear Rufus Wainwright sing… such a distinctive voice. Bonnie Raitt seemed to be the perfect musical bridge between Bettye LaVette and Nickel Creek. There were special moments, including a funny quip from a talented and long overlooked Bettye, who said, “I also want you to know at this point, if you’ve had 62 years of success, you feel a little different than you would after 62 years of struggle. I’ve lost all of my humility. Whatever you give me now, I deserve.” The crowd roared. Learn more about the awards show and other aspects of the AmericanaFest 2023 at www dot Americana Music dot org.) #ChuckWhiting #ChucksDiary #AmericanaFest #AmericanaMusic #Americana #Awards #Honors #SteveJordan #BettyeLavette #BonnieRaitt #TheWarandTreaty #SistaStrings #NickelCreek #McCrarySisters #LoganLedger #RufusWainwright #Music #Art #Arts #MusicCityArts 9-22-23 


Text and photos by MCAU Editor Chuck Whiting


Follow us on Instagram and Facebook @Chuck.Whiting or @MusicCityArts














Wednesday, September 20, 2017

Bettye LaVette Soars With Set of Pure Soul at AmericanaFest


By Wil Comstock
MCAU Contributing Writer

AmericanaFest
Saturday, Sept. 16
12th & Porter

         NASHVILLE -- Bettye LaVette’s career spans 57 years.  Chances are you may never have heard of her. If that's the case, that's a shame.  She is one of the best soul interpreters of song alive today.  For one reason or another, she has been overlooked and passed over, until now… This is her moment to shine!

         I was looking forward to this show all week.  I caught her at City Winery a couple of years ago where she gave a great performance singing many songs by Nashville songwriters.  But tonight was not simply a great show. It was one of those rare moments when the singer connected to everyone in the audience. She left blood on the floor and tears in our eyes.  


         Introducing the Beatles' “Blackbird” she said, “I wanted to take the song and have it fit me, a blackbird taking her broken wings and learning to fly.” I was spellbound. I have never seen anyone take a song and turn it the way Miss LaVette did to fit her own circumstances. Her gravelly vocals sent chills up my spine.

         Bettye mentioned that Beth Nielsen Chapman and Mary Gauthier were in the audience. They had written her next song, “Worthy.” LaVette’s raw vocals, full of conviction on every word she sang, left no doubt that this woman who has waited a lifetime for recognition is worthy.  Tears streamed down her face as she uttered, “Left stumbling in the dark, I had to go within... So I traced my scars back to where I'd been... A diamond in the dirt, perfectly concealed... Down beneath the hurt, it's been so hard to feel... Worthy, worthy, what a thing to claim... Worthy, worthy ashes into flame... Worthy.”  Amen!