Showing posts with label Lee Thomas Miller. Show all posts
Showing posts with label Lee Thomas Miller. Show all posts

Sunday, April 9, 2017

Tin Pan South: Bob DiPiero and Other Songwriting Legends Delight Full House at 3rd and Lindsay



By Wil Comstock
Music City Arts Contributing Writer


Friday, March 31 -- First Show, 3rd and Lindsay
Bob Dipero, Jim Beavers, Lee Thomas Miller, and Ritchie McDonald


            I met industry photographer Bev Moser and her friend Carol standing in line for the first show on Tuesday at Whiskey Rhythm.  I sat with them on Wednesday at 3rd and Lindsay’s ASCAP show and again tonight. "That’s the great thing about music,” Carol said. “It brings people together.” The CMA songwriters on this this show certainly brought us all together, as we nodded out heads and sang along with these great songwriters.



            Bob DiPiero was born in Youngstown, Ohio. His first hit was the Oak Ridge Boy’s “American Made,” which became a jingle for Miller beer and Baby Ruth Candy bars --not a bad start! Bob rocked the house with his Shenandoah smash “Church on Cumberland Road,” a co-write with John Sherrill and Dennis Robbins. He turned it into a tribute to Chuck Berry, who recently died, by inserting a few lines of “Johnny B Good,” a real crowd pleaser. His next song was by the movie "Forrest Gump." In the film Bob explains, “Forrest talks about his girlfriend, Jenny, and how she would come and go out of his life. At one point, he says, 'And out of the blue clear sky, Jenny came back.' And I was listening, thinking, 'Hey! It’s clear blue sky, it’s not blue clear sky!' Just that little turn of phrase stuck in my head. The next day, I was writing with John Jarrard and Mark D. Sanders. I said, 'I have this idea: blue clear sky. And they said, 'Well, that’s backwards!' (Laughs) I said, 'I know that,' so we wrote it anyway! We demoed it, and about a month later, I got a phone call from Tony Brown. He said, 'I’m in the studio with George Strait, and we want to cut your song — but George has a question for you!' So George gets on the phone and says, 'I’m from Texas … and in Texas it’s clear blue sky. You think it ought to be clear blue sky?' So I told him about going to see 'Forrest Gump,' and life was like a box of chocolates … and that Forrest said, 'blue clear sky.' I told him the song is all about just giving up on love and then, out of nowhere, out of the blue clear sky, comes the love of your life. And George was kind of quiet for a while, and then he says, 'Well, you think there’s many Gumpsters out there?'  And I said, 'Well, yeah, I do!' And he says, 'Well, all right then, we’ll be Gumpsters!' And he recorded 'Blue Clear Sky.''  Next DiPiero performed the upbeat “Daddy’s Money," a song he wrote with Mark D. Sanders and Steve Seskin for the band Ricochet. Introducing his last song, Bob said he and Jeffrey Steele were in Panama City. “We spent three hours on a song that was not going anywhere... in the music business we call it 'polishing the turd.'  (Laughs)  And I said, 'Let’s write a simple song with two verses,'" and they came up with the Montgomery Gentry mid-tempo rocker “Gone.”

            Texas-born Jim Beaver has a BBA from Baylor and an MBA from Vanderbilt. He intended to make a life career in the music business.  He is the former director of marketing for Capitol and Virgin Records,  As well as a professor at MTSU. Since 2002, he has been writing full time. Jim started off with “Am I the Only One,” which he co-wrote with Jeffrey Steele for Dierks Bentley. Introducing his next song Beavers said, “I had just quit my position as a music executive... my wife was pregnant and the future was unclear." This set the stage as he sat down to write with Jonathan Singleton and Darrell Brown. They came up with “Why Don’t We Just Dance," a song about throwing your cares away and being happy. Josh Turner took this song to number one. He followed it up with Luke Bryan’s chart topper “Drink a Beer,” which he co-wrote with Chris Stapleton. The ballad is about the unexpected loss of a loved one. He saved his Gary Allan cut “Watching Airplanes” for last. Jim wrote this power ballad with Jonathan Singleton. 

            Songwriter and sometime producer Lee Thomas Miller hails from Kentucky. He graduated from Eastern Kentucky University. He is the current president of NSAI, which takes him to Washington as an advocate in congress for composers. He penned Tim McGraw's number one "Southern Girl" with Rodney Clawson and Jaren Johnston. Miller sounded great on the perfect summer song. He followed with a song he wrote with Brad Paisley, Brad’s “I’m Still A Guy." He explained, “We wanted to capture the struggle between men and women in a playful way." Miller said he received a call to write with Brothers Osborne.  They got together and wrote a little. The guys seemed very casual and not in a hurry. They got together again and finished the song. Miller thought they were writing for an album that would be out in a year.  Eight weeks later Lee is driving down the road listening to DJ Bobby Bones when he announces that Brothers Osborne are coming out with a new album. He made a few calls and found out that the song he wrote with them would be the next single! With that, Miller tore into “It Ain’t My Fault.”

            Ritchie McDonald founded Lonestar in 1992 when he lived in Lubbeck Texas. The band charted nine number one singles in their heyday. Ritchie started out with one of their biggest, “My Front Porch Looking In,” a song he wrote with Frank Myers. Ritchie said "the view looking into the house at my beautiful wife and children was far better than anything on the outside." He followed with the beautiful ballad “I’m Already There.” The inspiration came on the road after hanging up the phone with his 4-year-old son, who wanted to know when he was coming home. McDonald laughed and said his son is now 21!  He picked up the guitar to play the mid up-tempo “Mr. Mom,” a co-write with Ron Harbin and Don Pfrimmer. This song brought a smile to my face as I recalled the cartoon video as Ritchie played and sang “Pampers melt in a Maytag dryer, Crayons go up one drawer higher, Rewind Barney for the fifteenth time, Breakfast six, naps at nine."  McDonald closed with Lonestar’s biggest hit, a song written by Marv Green, Aimee Mayo, and Chris Lindsay.  “Amazed” spent eight weeks at the top of Billboard's Hot Country Singles and Tracks. McDonald never sounded better!  

Monday, April 8, 2013

Nashville's 'Tin Pan South' Closes On High Note


'TIN PAN SOUTH' REPORT

Day Five: April 6, 2013

            We ended "Tin Pan South" with two terrific shows: the early show at the Listening Room (featuring Ben Glover and Amy Grant, with special guests Billy Montana and Matt Jenkins) and the late show at the nearby Rutledge (featuring Aaron Barker, Lee Thomas Miller, Chris Wallin (with wife Camille), and special guest Wynn Varble.

April 6 (Saturday):

LISTENING ROOM (Early Show):

            The schedule for this show listed only two names: hit writer/CCM artist Ben Glover and CCM crossover artist/writer Amy Grant. On these two names alone, the house was packed to standing room only. There were no complaints when country artist and hit songwriter Billy Montana and hit writer Matt Jenkins turned up as surprise guests. I caught Matt's brother, Paul Jenkins, at Winners on Friday night. Talent sure runs in the Jenkins family!

(Photo: Billy Montana)

            Billy Montana performed his now-classic tunes, "Bring On The Rain" (Jo Dee Messina), "House Of A Thousand Dreams" (Martina McBride), and "Suds In The Bucket" (Sara Evans). Billy said a friend had called him saying, "Hey, they're playing your song on 'American Idol'." When Billy turned on the TV, contestant Kelly Pickler had just finished singing "Suds". He heard Simon Crowell comment, "Of all the songs you could have sung, why did you pick this one?" An open-jawed Montana pointed at the TV and yelled out, "But that's my song!"

            Billy said he moved here from upstate New York in 1989 in his '77 Monte Carlo with two kids and one on the way. In '93, he lost his publishing deal. He then commented to a friend, "What I need is a Garth cut." He got one 14 years later with "More Than A Memory", a song Lee Brice and Kyle Jacobs had been working on and brought Billy in to finish. Billy said that Lee's line, "Dialing six numbers and hanging up...", was what really sold Garth on the song.


 (Photo: Matt Jenkins)

            Matt Jenkins sang the upbeat "Blue Jeans Baby", "Running Out of Air" (Love and Theft), and "Fade Into You", which will be featured this fall on the new "Nashville" soundtrack album. The song was cut by Clare "Scarlett" Bowen.

            Besides writing pop, CCM and country hits for others, Ben Glover has several albums out on his own. We were treated to his incredible vocals on the song his wrote for his wife, "I See You". He also performed "Hard To Love" (Lee Brice) and "I Can't Outrun You" (recorded by Trace Adkins and Thompson Square).

(Photo: Ben Glover)


            Amy Grant sang the familiar "I Will Remember You" from her multi-Platinum album "Hearts In Motion", and "Find What You're Looking For" from her last album, "Somewhere Down The Road". I was happy to hear some new songs from her upcoming May album release, "How Mercy Looks From Here". I wasn't disappointed. The title cut is all I hoped it would be. She was inspired to write the song after an emotional roller-coaster year (the loss of her mother, the death of a friend in Afghanistan, and the joy of her step-daughter's wedding). She invited her producer, Marshall Altman (Marc Broussard and Audry Assad), to join her on "Our Time Is Now". There was a certain sound that Phil Ramone had captured on an old Simon and Garfunkel album. Amy called Ramone to inquire about it. He graciously told her what he'd done, adding some stories from his long career. Phil died a few weeks after that conversation. The song "Our Time Is Now" features the legendary Carole King. The evening ended with Amy's new duet with James Taylor, (love tells us) "Don't Try So Hard".

(Photo: Amy Grant)

            Afterwards, while washing my hands in the men's room, I struck up a brief conversation with the guy next to me. "It's a special night, isn't it?" he said. "It sure is," I answered, feeling fortunate that I was one of the lucky people to see and hear such a remarkable group of writers.

-- Wil Comstock, MCAU Writer


THE RUTLEDGE (Second Show):

            We ended "Tin Pan South" where we had started five days earlier. The Rutledge was the perfect setting for a show filled with tongue-and-cheek ribbing, self-deprecating humor, entertaining stories (serious and not-so serious) and unforgettable hooks and melodies (some coming from self-proclaimed farmers and hillbillies). One of the performers even chewed tobacco as he sang. Some of that rubbed on me (not the tobacco). I woke up thinking of song ideas I never expected to have.


(Photo: Aaron Barker)

            Aaron Barker (the Blue Bell Ice Cream jingle singer) was a gracious host. Acting more composed and laid back, he expressed his love of songwriting, telling the large crowd how special it was to perform on the same stage as Lee Thomas Miller, Chris Wallin (with wife Camille), and special guest (the crazy cowboy) Wynn Varble.
           
            "Nashville is the last songwriting community," he said with a note of heartfelt seriousness. "When a fellow songwriter is in trouble, we all come together to help."

            Aaron put on a wonderful show, performing velvety-voiced classics such as Lonestar's "What About Now" and George Strait's "I Can Still Make Cheyenne", "A Love Without End, Amen", and "Goodbye, Farewell, So Long". He closed with "Baby Blue", a surprise first cut (and number one hit) by none other than George Strait.

            "We'd lost just about everything," said Aaron, looking back on hard times in Texas before making it big. "Suddenly, out of the blue, I received a check from BMI. It had a lot of numbers. Somehow, my publisher had gotten one of my songs to George Strait. It was the number one song, but I didn't even know it. When I showed the check to my stepdad, he thought it was a sweepstakes promotion."

            That surprise hit and large check obviously changed Aaron's life. He eventually moved to Nashville, writing hit after hit after hit... and a few Blue Bell Ice Cream jingles.

            Chris Wallin made no apologies for his love of "suped-up" classic cars. He remembered being at a car show when he learned his song "Something to Be Proud Of" (Montgomery Gentry) had hit number one. Knowing a big royalty check was on the way, he left the lot driving a 1966 Chevelle.


  (Photo: Chris Wallin)
          
            "We need to be proud of what we have... even if it's still in the shop," he laughed.
           
            The artist used his rich, Southern-as-can-be baritone to sing current and/or soon-to-be classics such as "Man", "Love Me If You Can" (Toby Keith), "I'm Trying" (Trace Adkins), and "Don't Blink".  On more than one occasion, he raised his left hand to show off a finger he had accidentally injured earlier in the day. He was concerned the paper cut might affect his guitar playing, but it didn't.
           
            "'I'm Trying' reached number 40 and stalled," Chris noted before singing the song with his wife, Camille. "When Trace Adkins got arrested for DUI, the song immediately jumped five spots."

            Chris handed his guitar to (bass diva) Camille a couple of times during the show. She has a great voice that complements her husband's... almost a country-accented combination of Bonnie Raitt, Wynonna and Etta James. It's nice to hear the Southern blues in country music. The audience thoroughly enjoyed her performances of the growling "One Way Ticket To Gone" and "A Good Cry".
           
            Family man Lee Thomas Miller sang and played songs celebrating lost love ("She's Cryin' On Her Suitcase"/Casey James), the rush of life ("You're Gonna Miss This"/Trace Adkins), and manhood ("I'm Still A Guy"/Brad Paisley). He was proud to introduce his wife, who was sitting in the audience. Their "Miller bunch" kids were at home with the babysitter.


(Photo: Lee Thomas Miller)

            The crowd howled with laughter when he performed "Hillbilly Porn", a hilarious protest song that received scrutiny (and the misspelling of the word "hillbilly") from a reporter at The Washington Post. The song chides Nashville's former mayor and other city leaders for investing in "the naked giants" statue at Music Row's Roundabout.

            "The reporter treated me like a stupid country hick who didn't appreciate art, and I played along," Chris said. "Her story was scathing."

            Chris added that the mayor wasn't particularly happy about being mentioned in the song. "The mayor bought us some hillbilly porn... what's the tambourine for..."

            Wynn Varble wasn't listed in the program, but we sure were glad he was there. He kept us in stitches every time it was his turn to play. The cowboy-hatted farm guy (with a tobacco tin in his back pocket) always provided a joke before galloping into various trailblazers, including " A Little More Country Than That" (Easton Corbin); "She's A Little Too Country For Me", "Things That Never Cross A Man's Mind" ("American Idol" contestant Kellie Pickler); and "Waitin' On A Woman" (Brad Paisley).


 (Photo: Wynn Varble)

            Then he got serious, telling us how Willie Nelson had selected one of his songs for a recent album.

            "When my phone rang, a guy on the other end said, 'Hello, this is Willie'," said Wynn with as much seriousness as he could muster. "I didn't believe it was him at first. He said he'd lost the recording I sent him and wanted another. I said, 'Sure, I'll send you 500 copies of the song if you want 'em.' A while later, I got a call askin' for the lyrics. He was in the studio recordin' it."

            The audience listened intently as Wynn sang about a cowboy's adventures on Chisholm Trail, through Death Valley, and across dusty plains. Some of them had heard the Willie Nelson version... others hadn't.

            Then he sang the chorus: "But I ain't goin' down on Brokeback Mountain... No, I ain't goin' down on Brokeback Mountain...." The room erupted with laughter. Political correctness wasn't in Wynn's vocabulary, but it didn't seem to matter. He had just about everyone singing along with him by the end of the song. (Please don't tell the reporter at The Washington Post.)

            During the past five days we've heard and seen just about everything when it comes to songwriting. It's truly been an amazing week... more than a memory.
                        
-- Chuck Whiting, MCAU Editor


Do you have an unforgettable "Tin Pan South" story/experience to tell.  Please send it to us at Info@MusicCityArtsUpdate.com .

"Tin Pan South" Schedule: http://www.tinpansouth.com/2013/schedule.html

(Photo: Camille Wallin)


(Photo: Chris Wallin)


(Photo: Amy Grant)


(Photo: Listening Room Stage Shot... By Miranda Sullivan)


(Photo: Listening Room Stage Shot... By Miranda Sullivan)