Showing posts with label folk. Show all posts
Showing posts with label folk. Show all posts

Wednesday, September 27, 2023

AmericanaFest 2023: Emmylou Harris and Rufus Wainwright Tell Their Stories During Insightful Interview

By Wil Comstock

MCAU Contributing Writer


Friday (Sept. 22) at the Westin

Friends of Folk: 

A Conversation with Emmylou Harris and Rufus Wainwright  

Moderated by Celia Gregory


     Emmylou Harris and Rufus Wainwright told their stories during an insightful interview at The Westin in downtown Nashville. 

     Emmylou met Rufus’ mother, Kate McGarrigle, through Linda Ronstadt.  Kate of the folk duo The McGarrigle Sisters wrote “Heart Like a Wheel,” which Linda recorded in the 1970s.  Harris recorded the Kate’s and sister Anna’s “Love Is” in the early 1980s, inviting them to Nashville to sing backing vocals, where a friendship was born.  




     Celia asked what impression they had of folk music growing up.  Wainwright responded, “I had no concept of the real world other than folk. My first crib was a guitar case.” Rufus’ father is folk singer Loudon Wainwright.  His parents divorced when he was 3 and he was raised by his mother in Montreal. 


     Harris said she had no concept of folk music at all.  In her teens she listened to a radio show out of DC that played folk, and she was hooked.  She asked her parents for a guitar and began to play the songs off the radio.  


     Rufus injected that he started out in folk and then explored opera and show tunes.  He recently returned to folk with his new album “Folkocracy.





     Emmylou said that she wanted to write with people she loved.  She would invite Anna and Kate to Nashville to write and would travel to Montreal to visit them and write.  She loved that Kate and Loudon remained friends after their divorce and that their children all got along.  She felt embraced by this extended family that also included Richard and Linda Thompson.


     When asked if they felt their parents encouraged them in music, Rufus said his mother Kate gave him great confidence.  He told the story that when he was 6 months old, she would sing “Old McDonald,” and he would sing the “E, I, E, I, O.”  Rufus had his doubts if that was actually true.  





     Emmylou said her parents paid for piano and sax lessons when she was an adolescent. They knew she could carry a tune.  But they were strict.


     Celia asked if they encouraged their own children to go into music.  Wainwright admitted, “That is a difficult question. We live in LA, and the arts are all around us.  My daughter Viva, whose birth mother is Leonard Cohen’s daughter, has a nice voice.  We want her to make her own choices.” 


     Harris added, “The most important thing for your child, really all of us, is to find your passion.”


(Text by Wil Comstock)


(Photos by Chuck Whiting)


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Wednesday, September 14, 2016

Folk-Bluegrass-Americana Artist Mary Beth Cross to Celebrate Top-10 Album With Denver Concert

            DENVER (September 2016) – Award-winning folk-bluegrass-Americana artist Mary Beth Cross will celebrate her Top-10 hit bluegrass-Americana EP, "Feels Like Home", with a concert at 8 p.m. Oct. 15 (Saturday) at Swallow Hill Music, 71 E. Yale Ave. in Denver. 

            Admission is $12 in advance and $14 day of show. To buy tickets, visit http://swallowhillmusic.org/denver-concerts/mary-beth-cross/oct-15-2016-8-00-pm/. The artist will be joined by the Denver-based bluegrass band Meadow Mountain Music.

Mary Beth Cross performs with Meadow Mountain Music

            Cross's latest project celebrates the importance of home in the lives of average, everyday Americans. The eight-song EP climbed to number nine on Roots Music Report's Alternative Folk Albums Chart. It features originals, as well as classics written and/or performed by legendary artists such as Paul Simon, Linda Ronstadt, Garry White, Van Morrison, George Gershwin, and Dubose Heyward. The EP is dedicated to her late nephew, Christopher Chmiel, who died unexpectedly in 2015. 

            "My latest project includes cover songs that are part of the tapestry of my upbringing in Wisconsin, as well as originals that reflect my current home in Colorado," said Cross, whose last project, "Beyond Good and Evil", was named "2014 Folk-Country CD of the Year" by the National Traditional Country Music Association. 

            Among the covers is "Kathy's Song", a classic written and recorded by folk-pop legend Paul Simon. To download selections from the EP, visit https://itunes.apple.com/us/album/feels-like-home-ep/id1097215219. You can learn more about Mary Beth Cross at www.MaryBethCross.com.

Tuesday, July 19, 2016

Mary Beth Cross EP 'Feels Like Home' Hits Top 40 on Five Separate Record Charts

            DENVER (July 2016) – Award-winning folk-Americana artist Mary Beth Cross is experiencing unprecedented success, with her latest EP and a featured Paul Simon cover song hitting the Top 40 on five separate record charts.

            The Americana/bluegrass EP "Feels Like Home", which includes original songs and classics, continues to climb various charts compiled by Roots Music Report. The eight-song project, which was released in June, celebrates the importance of home in the lives of average, everyday Americans. Following are highlights of the artist's growing success.

            * "Kathy's Song" (Simon cover) has hit number five on the RMR Top 50 Alternative Song Chart.

            * "Feels Like Home" (the EP) has reached number 13 on the RMR Top 50 Alternative Album Chart.

            * "Kathy's Song" has reached number 37 on the RMR Top 50 Folk Song Chart.

            * The EP has climbed to number 16 on the RMR Top 50 Colorado Album Chart.

            * The song has climbed to number 15 on the RMR Top 50 Colorado Song Chart.

            The album and selected songs are receiving airplay on terrestrial and online radio stations around the world, including KVMR-FM in California, WIKX-FM in Florida, KXCI-FM in Arizona, WBAA-FM in Indiana, WPKN-FM in Connecticut, KRFC-FM in Colorado, WIUP-FM in Pennsylvania, WWSP-FM in Wisconsin, WFMT-FM in Illinois, and WAGS-AM in South Carolina. FolkDJ ranked "Feels Like Home" in the Top 40 for airplay during the month of June.


https://itunes.apple.com/us/album/feels-like-home-ep/id1097215219

            "It's wonderful to see my music touching people as far away as New Zealand," said Cross, whose last album, "Beyond Good and Evil", was named "2014 Folk-Country CD of the Year" by the National Traditional Country Music Association. "My latest project includes cover songs that are part of the tapestry of my upbringing in Wisconsin, as well as originals that reflect my current home in Colorado. Good memories or sad memories are evoked by some of my favorite songs."

            "Feels Like Home" debuted at number one on the APD Americana/AAA Albums chart. To download selections from the EP, visit https://itunes.apple.com/us/album/feels-like-home-ep/id1097215219.

            "Feels Like Home" includes original songs, as well as classics written and/or performed by legendary artists such as Paul Simon, Linda Ronstadt, Garry White, Van Morrison, George Gershwin, and Dubose Heyward. The recording spotlights Cross's soaring, pure-tone soprano vocals. It was produced by veteran banjoist Chris Pandolfi, who joins nationally respected musicians Jeremy Garrett on fiddle, Tyler Grant on guitar, and Adrian Engfer on bass. The EP is dedicated to her late nephew, Christopher Chmiel, who died unexpectedly in 2015.

            "We went with less is more, taking an approach that feels live, acoustic, down-to-earth, and not too far from home," the artist added.


Mary Beth Cross photo by Katy Tartakoff

            Cross recently celebrated "Feels Like Home" with a concert at Baur's listening room in downtown Denver. She will perform a second concert at Denver's Swallow Hill Music Association in October after attending the IBMA Conference and Bluegrass Ramble in Raleigh, N.C. Among the covers on the EP are "Kathy's Song", a classic written and recorded by folk-pop legend Paul Simon, and "Long Long Time", a hit song for Linda Ronstadt.

            "My favorite original on the project has to be 'Threshing Time'," Cross added. "It's a true story about my grandparents that was narrated to me through my father's memory. When he was a little boy, he always looked forward to working together with relatives and neighbors at threshing time. After a long, hot summer day in Wisconsin, they would return from the fields to enjoy a spread of homemade chicken, corn, salads and desserts. To quench their thirst, there was cold lemonade and homemade beer and wine."

            The artist said she was especially pleased with "Kathy's Song", a cover that features "soft, tender and lovely" guitar by Grant and banjo by Pandolfi. Other songs on the project are her original "Cottonwood Creek"; the Doc Watson classic "Shady Grove"; and "The Medley", an eight-minute performance featuring Heyward and Gershwin's "Summertime", Van Morrison's "Moondance", and Cross's "Pas De Deux".

            Cross praised the contributions from her fellow musicians, who helped her transition from the Americana-folk sound she has long been known for to a down-to-earth bluegrass presentation that evokes memories of home in Wisconsin, Colorado, Tennessee and other parts of America.

            "Capturing a truly live feel in the studio takes experience and commitment, but it always brings the music to life," said Pandolfi, a banjoist/producer known for the Trout Steak Revival project, "Brighter Everyday". "Mary Beth went for it on this project, and she did an amazing job with both her original material, as well as meaningful takes on a few classic songs."

            Guitarist Tyler Grant added, "Mary Beth Cross is not just a fine musician and songwriter. She is also a wonderful person with an honest and authentic spirit that shines through her music. It was a great pleasure to work with her and Chris on this album."

            Cross received national exposure in 2013 with release of her fourth CD, "Beyond Good and Evil". That project, which was produced by Dave Bechtel, landed a top-five ranking on Airplay Direct. Critics around the world praised the album, with Country Music News International calling it worthy of "Americana CD of the Year".

            “I’ve discovered that people are yearning to find acceptance and solace in a dizzying world of pressure-filled expectations,” Cross said. “People long for an authentic, non-formula approach.

            An accomplished vocalist and tunesmith, Cross moved to Denver in the 1980s to pursue a nursing career. Her music is influenced by the rural farmland and forests of her Wisconsin upbringing and the Rocky Mountains where she now resides. She carefully chooses acoustic instrumentation to bring her story-driven songs to life. Her music represents a few of the cultures that have contributed to what has become American music today.

            To learn more about Mary Beth Cross or her music, call (303) 842-1587, send an email message to MaryBeth@MaryBethCross.com, or visit www.MaryBethCross.com or www.reverbnation.com/marybethcross .

Thursday, May 19, 2016

Folk-Americana Artist Mary Beth Cross Releases New Bluegrass EP 'Feels Like Home'

By Chuck Whiting
Editor of Music City Arts


            DENVER (May 2016) – Award-winning folk-Americana artist Mary Beth Cross has released an eight-song bluegrass EP that celebrates the importance of home in the lives of average, everyday Americans.

            "Feels Like Home" includes original songs, as well as classics written and/or performed by legendary artists such as Paul Simon, Linda Ronstadt, Garry White, Van Morrison, George Gershwin, and Dubose Heyward. The recording spotlights Cross's soaring, pure-tone soprano vocals. It was produced by veteran banjoist Chris Pandolfi, who joins nationally respected musicians Jeremy Garrett on fiddle, Tyler Grant on guitar, and Adrian Engfer on bass. The EP is dedicated to her late nephew, Christopher Chmiel, who died unexpectedly in 2015.



https://itunes.apple.com/us/album/feels-like-home-ep/id1097215219

 
            "My latest project includes cover songs that are part of the tapestry of my upbringing in Wisconsin, as well as originals that reflect my current home in Colorado," said Cross, whose last project, "Beyond Good and Evil", was named "2014 Folk-Country CD of the Year" by the National Traditional Country Music Association. "We went with less is more, taking an approach that feels live, acoustic, down-to-earth, and not too far from home. Good memories or sad memories are evoked by some of my favorite songs."

            Cross recently celebrated "Feels Like Home" with a concert at Baur's listening room in downtown Denver. She will perform a second concert at Denver's Swallow Hill Music Association in October after attending the IBMA Conference and Bluegrass Ramble in Raleigh, N.C. Among the covers on the EP are "Kathy's Song", a classic written and recorded by folk-pop legend Paul Simon, and "Long Long Time", a hit song for Linda Ronstadt.

            "Feels Like Home" debuted at number one on the APD Americana/AAA Albums chart. To download selections from the EP, visit https://itunes.apple.com/us/album/feels-like-home-ep/id1097215219 or www.MaryBethCross.com.
 
Americana-folk artist Mary Beth Cross explores bluegrass with "Feels Like Home"

            "My favorite original on the project has to be 'Threshing Time'," Cross added. "It's a true story about my grandparents that was narrated to me through my father's memory. When he was a little boy, he always looked forward to working together with relatives and neighbors at threshing time. After a long, hot summer day in Wisconsin, they would return from the fields to enjoy a spread of homemade chicken, corn, salads and desserts. To quench their thirst, there was cold lemonade and homemade beer and wine."

            The artist said she was especially pleased with "Kathy's Song", a cover that features "soft, tender and lovely" guitar by Grant and banjo by Pandolfi. Other songs on the project are her original "Cottonwood Creek"; the Doc Watson classic "Shady Grove"; and "The Medley", an eight-minute performance featuring Heyward and Gershwin's "Summertime", Van Morrison's "Moondance", and Cross's "Pas De Deux".

            Cross praised the contributions from her fellow musicians, who helped her transition from the Americana-folk sound she has long been known for to a down-to-earth bluegrass presentation that evokes memories of home in Wisconsin, Colorado, Tennessee and other parts of America.

            "Capturing a truly live feel in the studio takes experience and commitment, but it always brings the music to life," said Pandolfi, a banjoist/producer known for the Trout Steak Revival project, "Brighter Everyday". "Mary Beth went for it on this project, and she did an amazing job with both her original material, as well as meaningful takes on a few classic songs."

            Guitarist Tyler Grant added, "Mary Beth Cross is not just a fine musician and songwriter. She is also a wonderful person with an honest and authentic spirit that shines through her music. It was a great pleasure to work with her and Chris on this album."

            Cross received national exposure in 2013 with release of her fourth CD, "Beyond Good and Evil". That project, which was produced by Dave Bechtel, landed a top-five ranking on Airplay Direct. Critics around the world praised the album, with Country Music News International calling it worthy of "Americana CD of the Year".

            “I’ve discovered that people are yearning to find acceptance and solace in a dizzying world of pressure-filled expectations,” Cross said. “People long for an authentic, non-formula approach.

            An accomplished vocalist and tunesmith, Cross moved to Denver in the 1980s to pursue a nursing career. Her music is influenced by the rural farmland and forests of her Wisconsin upbringing and the Rocky Mountains where she now resides. She carefully chooses acoustic instrumentation to bring her story-driven songs to life. Her music represents a few of the cultures that have contributed to what has become American music today.

            To learn more about Mary Beth Cross or her music, call (303) 842-1587, send an email message to MaryBeth@MaryBethCross.com, or visit www.MaryBethCross.com or www.reverbnation.com/marybethcross .

Monday, May 2, 2016

Mary Beth Cross to Celebrate Release of 'Feels Like Home' EP with Denver Concert


            DENVER (April 2016) – Award-winning folk-bluegrass-Americana artist Mary Beth Cross will celebrate the release of her new bluegrass-Americana EP, "Feels Like Home", with a concert and meet-and-greet from 3-5 p.m. May 15 (Sunday) at Baur's Restaurant, 1512 Curtis St. in Denver. 

            Cross's latest project celebrates the importance of home in the lives of average, everyday Americans. The eight-song EP features originals, as well as classics written and/or performed by legendary artists such as Paul Simon, Linda Ronstadt, Garry White, Van Morrison, George Gershwin, and Dubose Heyward. 



          The artist will be joined on stage by National Flat-Picking Champion and Grant Farm Band founding member Tyler Grant, Grant Farm Band bassist Adrian Engfer, banjoist George Guthrie, mandolinist Jack Dunlevie, and fiddler Chuck Hugenberg. Admission is free.

          The EP is dedicated to her late nephew, Christopher Chmiel, who died unexpectedly in 2015. "My latest project includes cover songs that are part of the tapestry of my upbringing in Wisconsin, as well as originals that reflect my current home in Colorado," said Cross, whose last project, "Beyond Good and Evil", was named "2014 Folk-Country CD of the Year" by the National Traditional Country Music Association. 

          Among the covers is "Kathy's Song", a classic written and recorded by folk-pop legend Paul Simon.  

          For more information about the event or to listen to a preview release of the song from the EP, visit http://www.MaryBethCross.com.


Saturday, April 23, 2016

Booking Expert To Offer Course for Performing Singers, Songwriters and Musicians Starting April 27

 
         NASHVILLE -- Hit singer/songwriter/educator Nancy Moran will offer her "Ultimate Booking and Touring" online training program for five weeks starting April 27.

         Moran's popular, four-week, in-depth program is aimed at performing musicians who want to have more (and better-quality) gigs through expert booking techniques. It’s very detailed and hands-on, and she walks artists through the entire process of professionally booking gigs and tours. Students have reported career-altering results from what they learned in the program.

         "In my five-week-long, in-depth online program, I'm going to walk performing musicians through the entire process of booking gigs and planning tours," said Moran, a former member of the popular group The Bitchin' Babes. "I'm truly going to share everything I can think of to help artists book better gigs and to get them out on the road sharing their music with the world."

         The "Ultimate Booking and Touring" training process will show artists how to

         * Prepare for their first on-the-road gig.

         * Expand into new towns, new venues or even brand new music markets.

         * Land bigger, better and more lucrative gigs (to be able to quit their day jobs).

         *  Overcome the self-booking blues.


         Participants will receive five weeks of step-by-step guidance and in-depth instruction. Video, audio and written lessons will be delivered online and available for Mp3 download onto iPods, Mp3 players and other mobile devices. Artists can also download a host of worksheets, sample scripts, and sample contracts. They will receive personal attention during live group Q&A phone calls. Conference calls will be recorded for 24-hour access. A private group Facebook forum will provide additional insights and student interaction. Participants will have lifetime access to all educational materials.

         Tuition for the "Ultimate Touring and Booking" class is only $397. To sign up, click here.

         Moran is a working indie recording artist who performs at notable venues such as The Bluebird Cafe, house concerts such as Rouse House, and festivals such Kerrville Folk Festival. Declared "Songwriter of the Year" by the Virginia Sound Achievement awards and WXGI-FM Radio, she has released four solo albums, including her most recent "Something Old, Something New".

         The artist's CDs have garnered her public and commercial radio airplay on stations coast-to-coast and have landed her on the Gavin Americana charts alongside Delbert McClinton and Joan Baez. She also has been featured internationally on radio stations in Australia, Canada and Europe. 

         The Richmond (VA) Times-Dispatch called Moran "nothing short of a [modern-day] Joni Mitchell". Dirty Linen Magazine says Nancy has "a powerful, expressive voice...stunning."

         Moran is a former member of the acclaimed all-female folk troupe, The Four Bitchin' Babes. She also is a frequent keynote speaker at music conferences and events, an NSAI-endorsed music business instructor, a SongU.com online instructor, the former assistant editor of American Songwriter Magazine and the author of several books, audio series, and live or online courses including, “The Songwriter’s Survival Kit,” “The Professional Songwriter’s Code of Conduct,” "Ultimate Booking and Touring", and “Making and Releasing Your Own CD.”

        
        

Tuesday, February 9, 2016

Artist Spotlight: PJ Brunson Known in the Carolinas as 'Female James Taylor'

By Chuck Whiting
MCAU Editor


            NASHVILLE -- PJ Brunson is a South Carolina-based singer, songwriter, composer, guitarist and pianist who has performed extensively across the Southeast region, opening for legendary artists such as Lyle Lovett and Nanci Griffith

            Known in the Carolinas as the "female James Taylor", the acoustic folk/easy listening artist delights audiences on guitar and piano with hints of Americana, country, pop, blues, Celtic, new age, classical and rock. Her songs, instrumentals and lyrics reflect her deep appreciation of poetry, art, literature and Southern heritage -- with imagery-accented stories of love and lore that appeal to audiences from all walks of life. 

            PJ has received accolades from fans and the media alike. The publication Creative Loafing named her Charlotte's "Best Acoustic Folk Act". Her latest album, "Home To Me", was nominated for Folk Album of the Year by members of the International Music and Entertainment Association.

            PJ wrote her first song at age 5 (a rewrite of the love theme from the movie "Exodus") after she nearly drowned during a family outing to Santee Lake in South Carolina. Her "beloved" adoptive father rescued her just in time. 

            "I remember being in a tunnel, seeing the light, feeling divine arms enfolding me, and hearing a voice whisper 'it's alright'," PJ says. "In that moment, I felt a peace unlike anything I have experienced since. And once on dry land, I felt an overwhelming longing to return to that sense of peace. What I ultimately hope to share in my music is the feeling, knowledge and hope that peace exists beyond this world and beyond all of our problems."

PJ Brunson (Photo provided by PJ Brunson)

            Her grandmother on her father's side paid for piano lessons after convincing her mother to buy a piano. Her maternal grandmother bought PJ her first "real" guitar when she was 16. She learned to play the instrument by observing a folk guitar teacher on ETV. Her first paid gig at a local club led to a TV appearance and opportunity to record in a real studio. She later studied classical guitar and piano after landing a music scholarship to Limestone College in Gaffney, S.C.

            One of her greatest accomplishments as a budding professional artist was opening for Lovett and Griffith at Spirit Square in Charlotte and advancing to the second round of the "You Can Be A Star" talent search. She has performed at a host of prominent venues since then, including Nashville's Commodore Lounge and Renaissance Hotel.

            The singer-songwriter has recorded six albums as a solo artist and/or member of the New Age duo Ananda, with songs airing on radio stations and websites around the world. 

            "I describe my latest solo album, 'Home to Me', as a love-in-all-phases CD: the good, the bad, and the ugly," says PJ, whose performances and recordings feature some of the South's top folk and Americana musicians. "Performing my songs is the one thing I know I can do to make the world a better place. It's the opportunity to share my story and make someone smile, feel, think about something in a different way, and even cry if they have to." 

            Fans have praised the 14-song project as comforting, drifting, thought provoking, life changing, and authentic -- a gentle way to find peace in a troubled world. The Herald newspaper in Rock Hill, S.C., described her performances as "so clear and captivating... she has often been compared to Joan Baez and Karen Carpenter."

            Using lyrics that often sound like poems, PJ treats listeners and audiences to metaphorical stories of life, love and legend. The songs are brought to life with the artist's mesmerizing alto vocals and intricate finger picking on acoustic guitar.  Other musicians on the project include violinist Glen Alexander, double bassist Tom Hildreth, background vocalists Jessica Lynn and K deValk, flutiest Laurie Neal, and percussionist Donny Fletcher.  

            "Hopefully, my songs and performances are cathartic, making people forget about their problems for a while and find something worth taking home with them at the end of the night," says the artist. "It's my purpose -- What I've sensed was my purpose since I was a small child." 

            PJ serenades the Spirit of Love with the tune "Morning Song", blissfully describing how euphoric she feels at various times of the day. "We'll share our midnight dreams," she sings to her suitor. "...Holding on until the morning light."

            The artist reveals her appreciation for Greek lore with "Pegasus", an ode to Poseidon's winged stallion who scattered stars across the night sky. The singer longs for something she doesn't or can't have and being shackled by things beyond her control. "So, Pegasus fly me away on your wings... When the songs become shackles a singer can't sing... A poet inspired but lonesome am I... For I want the moon but I can't reach the sky."

            One of the artist's favorites is "Crystal Glass of Romance", a song about someone who still believes in love even when relationships don't last. "I have been a thousand times where some people only dream of... I've known the peace of mind that the lonely never find."

            The artist has performed her original songs at restaurants, bars, churches, weddings, bookstores, festivals, parks, private parties, and coffee houses. Other appearances include the Charlotte Music Awards Singer-Songwriter Showcase; the Awendaw (S.C.) Green Barn Jam; The Come-See-Me Festival in Rock Hill, S.C.; the York (S.C.) Summerfest; St. John's United Methodist Church in Vacaville, Calif.; Community Performance Center in Rock Hill, S.C.; the Sylvia Theater in York, S.C.; Manhattan's in Knoxville, Tenn.; The Grey Eagle in Asheville, N.C.; Cafe' 99 and Cumberlands in Charleston, S.C.; Daniel Stowe Botanical Gardens in Belmont, N.C.; and various writers nights in the Carolinas and Tennessee.

            According to Kristy Marett, a writer for the blog Gig-Spotting, the artist "effortlessly bridges the eras of our favorite music, and melds them together with a flavor that's seasoned, yet fresh."

             PJ's other solo albums are "Long Road - Live" (2003) and "Come Hell or High Water" (2001). Her New Age duo Ananda has recorded the albums "Comfort and Joy - Christmas" (2013), "Dusk Till Dawn" (2012), and "Still Waters" (2010).

            "A gem... a real class act all the way through... clearly one of the very best female guitarists in the area," raved Rob McHale, host of the Summit Coffee Songwriters Showcase in Davidson, N.C.

            The singer-songwriter has received substantial news media coverage, appearing on WMNF-FM in Tampa, Fla.; "The Session with Tzima Brown" on radio station 95.9-FM The Point in Columbia, S.C.; WSGE-FM in Dallas, N.C.; WGWG-FM in Boiling Springs, N.C.; and "The Bo Travis Show" on Charlotte Cable Television.

            PJ loves to reflect on her South Carolina upbringing.

            "I was raised in Sumter, S.C., with "a lullaby running through my head... literally," the artist laughs. "You can actually hear that line in my song, 'Lullaby'."

            She knew she wanted to be a musician after watching a guitarist/singer perform on television. Music was playing all around her. Her grandfather on her mother's side played guitar on the front porch or in the living room, much like Andy Griffith did in TV's Mayberry. Her great-grandfather on her father's side, whom she never met, was a classically trained pianist who played ragtime in the honky-tonks of St. Louis. Her mother and father, who were musically inclined and could sing, encouraged her to develop her talents. Family members listened to a wide range of recorded music by artists such as Johnny Mathis, Neil Diamond, Johnny Cash, Dolly Parton, Waylon Jennings, Willie Nelson, and Charlie Pride. But growing up, PJ's favorite artists were Simon and Garfunkel, Jim Croce, The Carpenters, and Harry Nilsson.

            "I want to touch hearts across the nation and around the world by writing and performing powerful music that connects, heals and comforts people," PJ continues.

            To learn more about PJ Brunson or to hear her music, visit www.pjbrunson.com, www.facebook.com/pjbrunsonmusic, www.reverbnation.com/pjbrunson, www.pjbrunson.bandcamp.com, or www.twitter.com/pbrunson4. You can contact the artist at pj@pjbrunson.com or (803) 324-1906 or (803) 729-0397.

Thursday, December 4, 2014

Folk-Americana Artist Mary Beth Cross Releases Techno-Pop-Dance Version of 'Babes in the Wood'

            DENVER (December 2014) – Award-winning folk-Americana artist Mary Beth Cross is exploring new musical territory by releasing a techno-pop-dance version of the late Irish songwriter Noel Brazil's classic song, "Babes in the Wood".

             Cross's new single features re-mixed vocals from an existing recording with the electronic wizardry of Nashville producer/arranger/keyboardist Matt Stanfield. Her smooth soprano vocals are energized with vocal echoes, drifting synthesizers, electronic pulses, and heavy percussion. The atmospheric, rhythmic recording is a sharp contrast to the popular folk version she recorded for her last album, "Beyond Good and Evil". She describes the newer dance version as darker and more moody, creating an atmosphere of mystery and evoking the imagination of the listener -- a full departure that reaches a new audience.

            "You might call my techno-pop recording of 'Babes in the Wood' a creative endeavor," said Cross, who recently received the "2014 Folk-Country CD of the Year Award" from the National Traditional Country Music Association. "There are times when we need to step out of our comfort zone. In this case, I wanted to help listeners experience the deeper subconscious meaning of the battle between Little Red Riding Hood and the Big Bad Wolf. The latest version of the song is both beautiful and haunting."


            In the lyric, Brazil paints a striking picture of the battle between good and evil. For Cross, his message is both troubling and reassuring. Predatory wolves are lurking about to sabotage one's dreams. Families fall apart, criminals do harm, and the innocent become prey.

            "There's a Big Bad Wolf lurking inside all of us," the artist continued. "The song brings to light the process of our childhood innocence maturing into adulthood and the choice of becoming the predator or prey, and finding a balance of the two within ourselves. By bringing this to one's consciousness, we can make the choice to allow others to co-exist without a ruthless battle, living in peace and harmony. I believe that the hope for the planet lies in the balance of progress and thoughtful living."

            "Babes in the Wood" is available for download at CD Baby and iTunes. To download the song at iTunes, visit https://itunes.apple.com/us/album/babes-in-the-wood-single/id943666599 .


            Cross is already hard at work on a new "Babes in the Wood" song video. The elaborate production is set for release in February 2015.

            "I plan to release the video just before heading to 'Folk Alliance International'," said Cross, who also is staying busy with live performances. "It will be a visual story of the wolf in nature at Yellowstone and mankind's living in harmony with the Earth, nature, one another and ourselves."

            Cross received national exposure in 2013 with the release of her fourth CD, "Beyond Good and Evil". The project, which was produced by Dave Bechtel, landed a top-five ranking on Airplay Direct. Critics around the world praised the album, with Country Music News International calling it worthy of "Americana CD of the Year". In 2014, she received the "Folk-Country CD of the Year Award" at the Old-Time Music Festival and Convention.

            The CD gives voice to the pioneer spirit of the American frontier with original songs and cover tunes. Cross spent more than a year penning songs reflecting the grit and determination of the adventurers who blazed a trail from the East to the West in search of what they treasured most: beauty, adventure, land, new opportunities for work, and freedom from oppression. Although she didn't write it, her folk-Americana rendition of "Babes in the Wood" remains a favorite.

            The artist has also performed extensively across the U.S. and Canada. Highlights include Folk Alliance International in Kansas City and Toronto; the Black Rose Acoustic Society in Colorado Springs and Black Forest, Colo.; radio station KRFC-FM’s “Live @ Lunch” show at Colorado State University; the “Colorado Performing Arts Jamboree” in Golden, Colo.; Swallow Hill Music in Denver; Metropolitan State College in Denver; the Delta Chelsea Hotel in Toronto; the Denver Coliseum; the Colorado Association of School Nurses in Breckenridge, Colo.; the Fall Out Urban Arts Center in Minneapolis; the "Summer Concert Series" in Arvada, Colo.; and the Musicians United to Protect Bristol Bay Concert in Raleigh, N.C. In 2015, She will visit Paris for a performance at the "European Independent Film Festival".

            When she isn't on the road performing, Cross is busy writing songs for her fifth album. The project, which is set for release in 2015, will reflect on what it feels like to be home. Like her other albums, including "Beyond Good and Evil", her songs will offer "thoughtful, soothing music for thoughtful living".

            “I’ve discovered that people are yearning to find acceptance and solace in a dizzying world of pressure-filled expectations,” Cross added. “People long for an authentic, non-formula approach.

            An accomplished vocalist and tunesmith, Cross moved to Denver in the 1980s to pursue a nursing career. Her music is influenced by the rural farmland and forests of her Wisconsin upbringing and the Rocky Mountains where she currently resides. She carefully chooses acoustic instrumentation to bring her story-driven songs to life. Her music represents a few of the cultures that have contributed to what has become American music today, including the banjos of African immigrants; the pipes, whistles and percussion of Celtic music makers in the British Isles; and the horns, accordions and fiddles of French cafes. Cross's recordings spotlight her soaring, pure-tone soprano vocals.

            "Through the sweet purity of her voice, Mary Beth has captured the underlying haunting story in 'Babes in the Wood'," said artist Dierdre Keohane, partner of the late Irish songwriter Noel Brazil. "I know Noel would be proud of this version."

            Matt Stanfield is known around the world for his beautiful, strange, evolving and hauntingly addictive arrangements featuring forward-thinking piano. He has worked with artists such as Norah Jones, Kelly Clarkson, Natalie Grant, Jonas Brothers, Newsboys, and Chris Thomlin.

            To learn more about Mary Beth Cross or her music, call (303) 842-1587, send an email message to MaryBeth@MaryBethCross.com, or visit www.MaryBethCross.com or www.reverbnation.com/marybethcross.

Friday, April 18, 2014

Environmental Songstress Earth Mama Releases 'A Sense of Place'

By Chuck Whiting
MCAU Editor


            INDEPENDENCE, Va. (April 2014) – Singer/songwriter/eco-activist Joyce Rouse (AKA Earth Mama) has spent the past three years recording a new CD of original folk-Americana songs she hopes will give listeners "a better understanding of our home, the natural world."

            "A Sense of Place" reflects the spirit of Southern Appalachia with songs of kindness, hope, love, Mother Earth, good neighbors, family and life. Some of the songs encourage listeners to celebrate home by protecting the ecosystems, native species, and natural water systems that face destruction in the wake of industrialization, coal mining, and climate change. Others cherish the camaraderie of family members and neighbors who share homegrown crops and help each other out when times are tough. Listeners can experience the region by taking an imaginary flight on an oriole's wings or exploring the winding Blue Ridge Parkway.

            "I had written and recorded some songs centering around the Southern Appalachian Mountains where I have lived for many years," said Rouse, who has delighted audiences with toe-tapping music and green-living tips since 1994. "These songs seemed to be the anchor for this project. 'A Sense of Place' branches out to include a reggae song about local economy and local foods, as well as a pastiche of other genres and topics."

            The album begins with "Detour Road", a spirited, up-tempo "rocking chair" tune that encourages listeners to choose love and peace (rather than hate) when they reach the "wishbone in life's highway". The song captures the flavor of front porch sing-a-longs with gospel-esque vocal harmonies, bluesy harmonica, playful kazoo, and fast-paced percussion.

            "I got to sing 'Detour Road' in a set at the beautiful historic Liberty Theatre in Eunice, La.," the artist noted. "The crowd got really involved with the refrain, and some rhythm instruments were passed around. The song is one of my favorites on the CD because of the 'feel-good' sing-a-long energy, and even more special with my husband's contribution of harmonica to the track."

            Rouse switches gears with "To An Oriole", a soaring and drifting ballad that uses the words from Edgar Fawcett's famous poem. Here, the listener experiences the "splendor" of a black and orange-flected bird flying toward Heaven. The gentle production features Rouse's rich soprano vocals with gossamer piano track and stringed instruments.

            "Birder, naturalist and organic farmer Bruce Allen sent me that poem," Rouse continued. "Like many songwriters, I get these requests, and the poems don't always resonate with me. This one spoke right to my heart."

            The song "Heaven Down Below" reveals how bank takeovers, mindless development, mining, and mountaintop removal are wiping out whole towns, families and communities. An Appalachian farmer faces heartbreak when he loses his home on Whitetop Mountain. The singer promises to teach his children to "love the land and let it show." The song aches with imagery-filled lyrics, down-to-earth vocals, country fiddle, and a bedrock steady guitar foundation by Bryan Sutton.

            "Not far from where I live are mountains that are being blown to smithereens to extract the coal that is shipped all over the world to fuel electric power plants," the artist said. "Mountaintop removal is wiping out farms and homes that have been in families for more than a century. Mudslides and coal ash spills have killed people, but we get our electricity without interruption."

            Rouse celebrates the 75th anniversary of the Blue Ridge Parkway with "Ribbon of Stone", a mountain folk song that celebrates 469 miles of a region and culture "unlike any other on Earth". As the driver winds her way through breathtaking forests, hills and valleys, she hears the sounds of whistling warblers, looks out over mist-shrouded mountains, and touches the stitched fabrics of heirloom quilts.

            She honors the memory of the late Keith Palmer with the ballad "Only One", a song that was recorded as a demo back in 1992. As Rouse was finishing up the CD, the song kept "nagging" for attention. Rouse weaved vocal accents with new lines through Palmer's smooth tenor vocals to make the song a good fit for "A Sense Of Place".

            "Much of our sense of place in the natural world comes out of our childhood experiences of playing outside, wading in creeks, and exploring the wooded areas," the artist added. "After shows, people have shared their stories of loss at discovering the ecosystems of their childhood destroyed by development, pollution or industrial agriculture. That sorrow underscores how vital natural places are to children."

            The mountain reggae tune "If You Need A Chair" encourages individuals to build community and better ecology by trading or buying homemade goods (chairs, bread, fruits, vegetables, clothes, brooms, songs, cakes, and animals) from their neighbors. Rouse, who lives on a mountain just outside of Independence, Va., supports her community by buying locally grown foods. She is putting the finishing touches on a book based on the song.

            "A Sense Of Place" was recorded in Nashville, with Rouse serving as lead vocalist, songwriter and producer. Some of the selections feature stirring accompaniments by fiddler/banjoist/dobroist Wanda Burchfield, keyboardist Catherine Marx, and percussionist Paul Scholten. The project was mixed by sound engineer Rob Matson.

            "I love to hear instrumental breathing spaces in music to deeply absorb the lyrics," Earth Mama reflected. "Listeners need time to absorb the depth and nuance of some lyrics, so I make an effort to leave spaces for the heart and soul of the work to blossom."

            The project and album-related performances have received positive reviews.

            "The concept of place runs through all the songs," raves fan Mary Lou Dolan. "'If You Need a Chair' is the perfect local economy song. I'm taking it to our group's next meeting as 'local' is what we are all about."

            "'A Sense of Place' is a wonderful, 10-song ride that will make you smile, make you move, and make you ponder, reflect and feel enriched by the musical messages," writes Birdsong recording artist Lindy Gravelle. "The songs are so well written, masterfully produced, and performed by Earth Mama. The Nashville musicians, singers and engineer she assembled all play their parts with just the right sounds to support her stylish vocals. She’s on a mission to raise our consciousness about life on Earth, and she does it with heart and humor, captivating and entertaining you the whole ride through."

            Earth Mama performs regularly at a wide variety of venues across the nation, including libraries, grade schools, universities, church groups, retreat centers, conferences, museums and festivals. She recently took on an artist-in-residence role in a small Louisiana town. The artist weaves threads of science, spirit and art into each concert and continues to write inspiring music in many styles with one goal in mind: “Helping Heal the Planet One Song at a Time.”
  
            A 15-year voting member of the Grammy Awards, Rouse's songs have been recorded and/or performed by artists such as Maureen McGovern, Marie Osmond, and the McCarter Sisters. She has written theme and event songs for environmental and peace organizations such as the Food and Agriculture Organization of the United Nations, UNESCO, and the International Earth Charter. She recently recorded an environmental public service announcement for La Leche League. Her music has been used by choral societies, children's choirs, and international choirs, as well as community-building events. In 1995, her song, "Standing on the Shoulders", was chosen as the theme song for a national event in Washington, D.C., celebrating the 75th anniversary of the 19th Amendment.

            In 2008, she recorded “Virginia Beauty, A Love Song for the Commonwealth”, an anthem that has been widely circulated as a possible new state song. The Highland Camerata featured the song in its Minds Wide Open program honoring Virginia women in the arts. In 2011, the Virginia Choral Society of Newport News, Va., debuted a new eight-part choral arrangement for larger choirs arranged by artistic director James Powers. Rouse earned a bachelor's degree in home economics from Iowa State University and a master's degree in earth literacy from Saint Mary-of-the-Woods College in Indiana. Rouse and her husband, Richard, live in the Blue Ridge Mountains of Southwest Virginia.

            "The recent passing of Pete Seeger and review of his life and body of work is a potent reminder of the power of the right song at the right time to influence a movement, or to create space in people's hearts to look at old patterns of behavior and steer a course for better actions," Rouse said. "I am standing on his shoulders, as well as others like Woody Guthrie, Joan Baez, Malvina Reynolds, and Marvin Gaye. I am proud to follow in their tradition and grateful that 'A Sense of Place' is gaining interest locally and beyond!"

            "A Sense of Place", which retails for $15, is available at www.EarthMama.org, www.cdbaby.com, and www.Amazon.com. Digital downloads are available at www.iTunes.com and other online retailers. For more information about the CD or the artist, call (276) 773-8529 or send an e-mail message to Joyce@EarthMama.org. To listen to selections from the album, visit http://www.earthmama.org/hearasenseofplace.php.